#it's more than just a one off tool to make a character that looks like x or y

[astralartefact]

Placeholder Name for Atarase's Media Diary

Entry 002 - Dragon's Dogma 2 <<Prev: 13 Sentinels: Aegis Rim

Synopsis

A prolonged camping adventure with the loyalest boys and a mage prodigy who gives me sass only often enough to make me paranoid she has the evil guy disease that kills everybody (might just be puberty)

Special Shoutout to whoever I stole Zoe the Beastren Healer Girl from (Your character name is/was Melina), she was a regular fixture of my party and is mine now.

How much did I know before playing?

I didn't play the first one, but I kept up with the marketing somewhat, and I was hyped to finally play it.

Did I like it more than I expected?

I fully expected to like it and I did. From what I've seen from the game before I bought it I knew its approach to an Open World would be my kind of game - and it was.

But seeing the discourse (and we will get to the discourse) this feels like a daring statement to make lol

Since I liked it, here's what I hated about it

Okay, this is the weirdest criticism to have about a game I completed in 113 hours, but it wasn't big enough. When I unknowingly made my way to Battahl and realized it wasn't as big as the other biome my reaction was a sad o: face and that feeling stuck around until the end, everything was just "I wouldn't mind if this was bigger :/" and it did impact my enjoyment of Battahl as a whole (Agamen not as much).

The game as a whole is really cool - I really loved it, I'm having to stop myself from starting a NG+ right now, and I think given an endless stream of new content I could literally play this game forever - and to some degree I feel like its size was calculated pretty well by the devs and shouldn't be bigger (if it was a lot of other minor details would suddenly become much bigger problems) but I guess it feels unexhausted.

I disagree when people say the open world is empty and one note - I personally had a great time exploring the entire map and I think the variety inside of the biomes is realistic and nuanced, I think if they just rethemed what's there into more different, but smaller biomes that wouldn't have done it for me either. The world might not be "new and exciting" everywhere you go, but every space in a given biome has some nuance in its topology and context that makes it stand out from the rest and it really feels like this world could be a real place exactly the way it is.

And since being grounded and 'realistic' is kind of this game's entire deal, having beef with that is to me kind of pointless, that just means you should have researched better what you're buying into (and we'll get to that!)

But I guess it feels like they could have done more, that all of these systems slotting in with each other would have benefitted from more stuff. Take the pawn specializations and classes for example, I think all of them are pretty neat but there aren't that many so running into 'one of that type' doesn't really change anything, especially since situational ones like the Elvish Speakers are coded to appear where you need them and you only "need" them in one specific place so you don't ever really have to think who you take with you. Same with environmental hazards like those water dams.

I guess that's the good thing of being able to expect Capcom to overdo it on DLC - I think adding more stuff like that in for example an expansion would really benefit this game, even though I will say that I think for the game that we have right now, the stuff that is there is enough.

Because in a fit of madness I don't even mean stuff like the enemy variety with that? I thought for the size of the game world the enemy variety was fine, not great but fine, even if it was on the smaller side at least the variety of their placement was really well thought through so I didn't really fight two of the same enemy groups in a row (the only problem i had with the enemies was that the enemy groups spawn way too densely and too frequently, you can't move an inch without aggroing another hassle of a fight and it also happens with paths you just cleared half an hour ago so map movement starts to become a chore at some point)

Finally: Men. But we'll talk about that.

What did this game make me think about?

We can only change the world by wanting to change it :) I love that as a theme, I'm really glad this is becoming a contemporary staple

Specific Impressions that will stick with me

THE TITLE SCREEN BEING DRAGONS DOGMA (NOT 2!) UNTIL THE THING HAPPENS i noticed that and it made me fall in love with the game so much more, it being a stealth remake and how it plays with that is so fcking cool i love that (again, I haven't even played the first one)

The coastal path to Bakbattahl. As I was randomly exploring I was wondering what the red waymarkers along this cave path were, so of course I followed them until at the end of this seemingly endless pilgrimage I finally realised what they were leading to. The entire experience of travelling along the cliffs and having to watch out for the harpies and the griffon was just really beautifully crafted. That whole journey will defo stick with me for a long time.

CHARACTER CREATOR OPEN WORLD RPGS ARE THE BEST Character Creators are my VisualNovel where the general audience seems to think they're cheesy but no, you don't get it, it's just that devs don't use them right because barely anyone has thought about their artistic merit yet. i can add so much visceral character development to my journey by changing hairstyles, adding scars, making my pc more muscular after training a new class, etc.

the day one of these games shaves a pc's head when they're imprisoned or adds scars when losing to a monster instead of a Game Over (all optional ofc people would scream if they forced that on their waifu) without me having to do that on my own is the day i will die happy

Outstanding Audio

The boss themes were cool? I did like the music and didn't just feel ambivalent about it but I couldn't tell you any specific piece :(

Favorite Character

Well, my character and my sweet pawns of course.

Aside from that I really liked Nadinia, even if she didn't get to do all that much, I just really love characters like her.

Also I guess the Smith Girl in Battahl, I liked her :)

Favorite Arc/Story Line

I liked Sven and Ser Menella's quests, but more than anything I loved seeing how doing quests impacted evacuating the cities after being baffled that the quests just ended without a conclusion. So I guess the entire final arc? (btw get good guys, i did the colossus quick kill without the arrow and seeing that pay off afterwards was amazing)

Favorite Set Piece

Travelling to Battahl along the coast

Watching my Pawn fight as the colossus

Everything that had to do with the capital-D Dragon

also having a healer with a child-like voice around and being paranoid about the dragon plague any time she gave me sass (she has like two or three lines out of nowhere that felt very pointed and i was so scared)

Favorite Scene

The ending scene with your pawn turning into the plague dragon. something about that did it for me.

Best Performance (I played with JP voices)

Kakuma Ai of Edelgard fame gave Nadinia such an edge that I really appreciate, she really made that character for me. For some reason I thought she was going to be a well-meaning but helpless pacifist priestess type character and thankfully she was not just that, she knew full well what she was doing while still also kind of being that pacifist priestess.

German Localization Notes

I thought the Localization was great! It fit the setting (I think Vasall is a better term than Pawn, fight me) and there were barely any blatant mistakes (I remember one spelling error and one time I was referred to as female, but that might be a programming error instead)

From what I did understand from the JP Pawn Dialogue I think they changed a bunch from the "original Japanese" though (might be an EN issue though, we don't have our own DE Voice Over so it would make more sense to keep with the 'default' language's text instead of JP) but also I don't really care since 90% of the dialogue is just Pawn Chatter where the phrasing of the content isn't particularly narratively important

--- ENTERING THE PRETENTIOUS SECTION OF THIS ENTRY ---

What about this game gives me Hope for the future of gaming?

This game is so fucking cool. I love this game for how weird it is. The stuff people complain about? Glorious. I love every single thing.

I loved having to have a physical fist fight with the save feature every time I was scared of making the wrong narrative choice. Yeah, it's kind of dumb and annoying, but from the devs' perspective, from the game they wanted to make and the overall vibe they were clearly going for it just makes sense. You're suppossed to roll with your wins and your failings - and if you can just always win then what's the point. You're not supposed to save scum as "un-quality of life" that may be and this is one way to kind of limit it to preserve the vibe they were going for.

Only having one save state and limiting character makeovers (they already fixed this one) makes sense because you're not supposed to play this game 'in parallel', you're supposed to play this game in succession - in a cycle, even. Your character isn't supposed to suddenly be an entirely different character, you're supposed to connect with the story through this character that is yours and to that goal, continually letting you change them completely would hinder that.

And since clearly this is actually a stealth remake of the first one I also really respect them not changing the shitty Beloved system? For some reason it's much more interesting to me that they kept it exactly the way it was, despite being stupid.

I guess I love stuff like this because it forces you to interact with the game as a piece of software engineering to make your own goals in this game come true. And yes, to me that's a good thing, because Video Games are pieces of software engineering - They're pretty much the only type of media that can do this.

Let me, the person who needs to make Self-Inserts for Maximum Escapism, be the one to tell you that I'm with Brecht when I say that in all sincerity, Immersion is a skill issue. Fuck Immersion as an aspirational trait of a piece of art. Especially capital-G Gamers have no clue what they're talking about when they use the word Immersion - and I get to say that, because I know that Presence exists beside the two popular buzzwords Immersion and Suspension of Disbelief - and this shit gives me so much Presence, I can't even begin to tell you.

I had to read the phrase "This game not maintaining 30FPS is breaking my immersion" about a game that made me pick up a child that had developed a crush on me, run in circles until my stamina ran out in order to drop it in a way that makes it crash into the stone floor, spraying blood everywhere because it was the only way I could make the child like me less - and I had to do that multiple times all so I could ensure I wouldn't end up kissing a child in the ending.

And while doing that, I did think "It's stupid the game works like this", I did feel fucking bad for the child I was abusing all so I could romance... well I romanced a random guy off the street because the men in this game were kind of boring - and yet in hindsight I was completely immersed into what I was doing because I was unironically engaging, grasping for agency in the systems put in place by the game's developers. I am rummaging through the rules of this universe all to spite god by making a child hate me a little bit more - and if that's not in the spirit of Dragon's Dogma II then I don't know what is. (this is only like 20% sarcasm btw)

To say it like this: Video Games aren't just to immerse you into a story better. Arguments about Immersion also always make me wonder what people think books are doing. But Dragon's Dogma 2 certainly is first and foremost a video game.

It feels like the people working on this game thought about what they were doing and during my journey through this world I got the feeling of understanding what exactly the devs went for in all aspects of this piece of software engineering - It's not trying to be a movie, it's not trying to be a book. It's trying and succeeding to be what it is and I really appreciate that.

I just wish there was EVEN MORE of it!!!

What about this game makes me scared for the future of gaming?

It grinds my gears that this keeps coming up so here it is, another round of idiot Gamers making me defend capitalism for something it didn't cause:

It's great that you all have awakened to corporations squeezing you out of your money, that's very anti-capitalist of you and I applaud that communist thinking (i'm not a communist but a lot of angry Gamers aren't either so let's make them mad by calling them that)

And yet I'm so sorry to inform you that even in Utopia people would still try to scam you.

It's not a Video Game Company's fault that you believed what they told you. I'm empathetic that it's hard, annoying and most of all stupid that we have to interact with a media landscape that is constantly trying to scam us for our money and attention, but even a genuine and well-intended artist is going to sugarcoat their product - so why would you ever believe what CAPCOM of all people is telling you without seeing physical proof first?

And even if they're point blank lying - which, straight up, for the most part Itsuno wasn't - if someone tells you they will sell you a green mug and the mug they hand you is red and you ask "but this is red" and they say "no it's green" and then you still buy it and at home you're upset that it is indeed red then you're the idiot!!! Yes, why did that person tell you that? Did they think you`re stupid? Why is Capitalism uniquely rewarding scamming people like this? All valid questions to seek answers for! But you can fall to the ground crying capitalism all you want, it's still your own foolishness that caused this!!! Don't buy shit if you're not adequately sure that you will enjoy the product!!

You have to - and will always have to - make your own informed decisions about what you invest both your money and your time into. 95% of problems that not only this but pretty much any video game discourse these days is critizising could be solved by simply researching what kind of game you would be buying into before buying it. And in this case, you have luck, this game existed before and you can try that game out for literally 5€! You know how I knew that? Because I fucking googled it.

And you can too! Thanks to YouTube, Twitch, some shitty wikis and some good ones it has never been easier to identify if a game is up to your standards before buying it - you just can't do that before the game is even out, which is why Pre-Orders are such a big problem to some people (I personally don't care, because I have to think about what I'm doing with my money anyways)

So just. Think about what you're spending money on before spending money on it! Maybe try being poor and having just enough money to buy one game every three months - that taught me to do that!

But with that out of my system let me get to the other problem this game has, one I think is really fucking annoying and stupid and really the core of my grievances with the game and not just the audience....

The Ramble Section where I get to actually talk about what I thought about

To introduce the second? third? Ramble topic of the day, here are a few moments from my playthrough that we will use to illustrate my main "problem" with this game:

I, a gay man, was forced to kiss the Sexy BrothelLady for literally no reason.

When daring to have a full male party, my main pawn mentioned that he hoped I wouldn't make not having women in the party a habit. (paraphrased)

You can buy a very revealling Mage Armor in Battahl. Naturally, after reaching Battahl around 75% of Pawns I encountered were barely dressed women.

I guess to add to that, the only black skinned Pawn I ever saw was one that Capcom made. Isn't that heart-warming.

I don't even know if there are romanceable men on the level of BrothelLady (I'm too lazy to look her name up, that's what she gets for sexual assault) or Ulrika

The Yeti Monkey Ogre gets horny for female pawns which felt very weird. I don't think there's an equivalent mechanic for male characters.

The Beloved Animations are all expressedly feminine. And I love me femininity, but it says a lot about who the devs thought would more likely be beloved and who would do the loving.

There's a summoning stone that only shows you petite women (which isn't necesarily bad, but it did raise my eyebrows)

imagine FPS being the only thing between you and that oh so hallowed immersion.

I guess to put it this way: For most of its runtime, the game gets away with pretending to be Gender Agnostic. Your Beloved can be Everyone even children! There's almost no mechanical difference between genders! You could argue that there is no intended demographic in mind for this game - that everybody can play it and therefore it's made for everyone.

Until, of course, one of those things I mentioned above pops up and serves as a harsh reminder that No! At some point in development, the devs came down hard on "This game was made for heterosexual men and everyone else can just also play it."

And with some of this shit I felt gross about having to witness it and that's really the gist of it.

I remember vividly when my main pawn no homo-ed me about my All Male Party and how just utterly ugly that felt. And I know it was phrased weirdly (at least in german) so maybe it's just me, but it was vague enough that I could interpret it as him saying he needs women in the party so he had something to look at and that's an extremely wild and frankly inappropriate thing to have your blank canvas NPC Follower say out of fucking nowhere. Like, Imagine being a woman liking men and hearing that.

It's in moments like Wilhelmina's forced kiss (i remembered her name are you proud) where the only reason it happened was that the presumed player would find that shit hot. It's in Ulrika being clearly just romance option Nr.1 and I couldn't just tell her no and continue to do her quests, I had to throw her into a wall every time I saw her to the point I completely avoided her instead of talking to her. I'm pretty sure I missed quests because of that. Like, Imagine being a woman liking men trying to do these quests.

Related, there's also something in them trying to circumvent Depicting Real Racism by transposing it onto the Beastren - which I guess didn't not work, I don't have any big feelings either way, especially since the devs at least tried to keep the cast somewhat diverse; I certainly didn't find it as appalling as whatever FF16 did. But it also makes stuff like Nadinia not being an equivalent Romance option despite being on the cover of the game questionable, because now it's like... Yeah, that was a decision you made for a reason. You didn't think your presumed audience would find the cat lady hot, right? (I certainly did and I'm gay)

I also mentioned before having strong feelings about Character Creators - because I do feel they are a very, very strong tool to make your own story telling part of the game in a tangible way. And sure, I use them mainly for self-inserts, sue me, but what I'm trying to say is:

It feels crazy to have 75% of Pawns I run into be someone's waifu and they all look one certain way. Other than that people either make some joke pawn or a bad version of a popular character - but from what I've seen the waifu they can presumably goon over was certainly the biggest pawn demographic by far.

And I know that gets into "Let people have fun!" territory, but it definitely lessened mine and I'm not even one of the people this is about. It was less fun for me not just meeting somebody's unique pawn, but - well. An Army of Women Objects. Not even objectified women - these are Women born as Objects. (and yes while these women aren't real, the treatment of fictional women is still indicative of and impactful on real women - so yeah, you can objectify women even if they're fictional) A world supposed to be filled with myriad unique pawns is uniquely filled with Women Objects - and given what the Pawns are in universe, that's kind of massively fucked up and every time the Game acknowledges that - by including very revealing armor, making it easier to filter certain types of women and by telling me to recruit more women because why would you ever have an all male party??? - it just feels gross.

Again. Try imagining being a woman that dares to like men. I keep repeating it because it feels like nobody thought about this niche group of people that's just about 50% of the entire population on earth.

And I guess I can't fault the devs too much about it, for the most part I actually really like the female characters in this game (nadiniaaaaaa) and the Pawns they themselves made are pretty diverse so clearly they cared at least a little about it; I certainly didn't find what they did as appalling as whatever FF16 did. I can only side eye them for knowing that all of this would happen and kind of enabling their players to do that.

It's just sad. It's sad and it's gross and an active reminder that despite it all a majority of people still treats women, 50% of humanity, like property, deliberately or not. It stains a really enjoyable video game with interesting mechanics to think about that I really connected with - and all because capital-G Gamers and "standard" masculinity is fucking gross and yet the devs either didn't think that far or think that's fine and good and dandy.

[mxtxfanatic]

What do you make of the "not liking jc/ calling yzy abisive is racist" bullshit? Brought to you by the person who straight up lied about the function of ancestral halls.

Look, I’m Black. I can talk every day of every year about racism in fandom. I can talk all day about racism in this fandom. It’s in how people consume content created by creators of color while disparaging said creators and their cultures and their knowledge of their own cultures. It’s in how characters of color are treated like fetishes or dirt, no in-between, and pointing it out is grounds for harassment. It’s about how fans of color are chased out of fandom spaces for not falling in line with the most popular opinions. It’s how some fans of color would rather throw the rest of us under the bus for white approval than either admit that they don’t hold the popular view or just stay out of a discussion they do not understand.

Uwu tsundere!jc and tiger mom!yzy are some of the MOST popular fanons in mdzs, but somehow saying that this isn’t canon (and is actually offensive but—) is racism. This is racist, but not bullying fans of color who don’t like these characters, calling us racist for sticking to canon, calling Chinese fans from the country and in the diaspora fake for saying that this is fanon, and also arguing that Chinese culture just “naturally” celebrates child abuse is the “true racism” that these people are trying to protect fandom from?

Hm

[gamerwoman3d]

Personal in the tags.

[impactrueno]

let's talk about shoes (stick with me here for a sec)

beetleboots beetleboots beetleboots.

what's up with the three of them wearing combat boots? they go well with each of their character designs so it's not like they look out of place with the rest of their outfits, but knowing this is tim burton and colleen atwood, these things are not mere coincidence.

(spoilers for Beetlejuice Beetlejuice below)

a common complaint i've seen people mention about Beetlejuice Beetlejuice is that "there's too many villains," but today i'm here to talk about why each of them matter in the narrative tim wanted to present here. yes the boots are related we'll get to that in a minute

delores, rory and jeremy all have one thing in common: the use of romantic betrayal in order to achieve their own selfish goals, destroying their victims in the process.

this, in turn, makes beetlejuice, lydia and astrid have another thing in common: they were the victims of these romantic betrayals.

you may think "okay but why is that necessary?"

this sequel made the interesting choice of nudging beetlejuice out of the villain role. he's now just a weird ally/deuteragonist...or perhaps even...a protagonist? but that's not enough! why should we as an audience care about him or sympathize with him?

that's where delores comes in. delores is less of a character and more of a plot device. her purpose (besides serving cunt) is to give beetlejuice backstory and be to beetlejuice what beetlejuice was to lydia, only worse. i talked a bit more about it in this post. thanks to her, we now learn that beetlejuice was a victim. not just that, she's also the looming threat beetlejuice needs to justify his marriage to lydia (he seems to be under the impression that this would help him escape delores more easily, but personally i'm not so sure, i think she's more powerful than that.) her return in combination with lydia's return to winter river is what sets his plan in motion.

rory is a pretty self-explanatory villain so i don't think we have to go into that. he wasn't out to kill lydia...but he's a golddigger, so i don't doubt he would've set something up to lead her into having a fatal accident and claim insurance benefits.

jeremy's role in the plot was to make astrid realize that she was wrong about the supernatural, as well as put her in danger in the afterlife, which is the drive lydia needs to turn to beetlejuice for help.

the role of an antagonist is to oppose or be an obstacle to the protagonist's goal. these three are the three obstacles beetlejuice needs to overcome in order to marry lydia.

first, he needs to save astrid as part of the deal with lydia. so he gets rid of jeremy to give astrid her life back. he knows exactly what it's like to be romanced into a death trap. you can tell this was satisfying for him. later, fucker.

then, he needs her fiancé rory out of the picture if he intends to marry lydia. since he knows this guy is a total piece of shit and is lying to her to lead her into the same trap he himself fell into with delores, he simply gives lydia the tools she needs to kick his ass herself. teamwork!

third comes delores. he just needs to survive delores, basically. he tries to pair her off with rory to try and kill two birds with one stone, but the stone that ends up killing them both is the sandworm that astrid summoned, which beetlejuice then guided straight to them. teamwork once again! (beetlejuice and astrid got rid of each other's problems, that's kind of cool)

these three things being taken care of means that beetlejuice can finally marry lydia.............

............except he doesn't. why? because he helped lydia. by bringing her into the afterlife to look for her daughter, he violated code 699. and he did it immediately after signing that contract. hoist by his own petard, this dumbass.

sorry i got sidetracked again. we were talking about boots, right? right right.

beetlejuice, lydia and astrid all walked in each other's shoes.

everything in this movie comes in threes. names, villains, victims, obstacles and pairs of combat boots.

[ukiiseikou]

in my dreams, you love me back / don't wake me up, deceive me sweetly

various hsr (dan heng, aventurine, sunday, jing yuan) characters as isekai romance tropes.

dan heng in: helping that useless prince!

the exiled prince! he ends up settling in a modest (for him - raised with a silver spoon in his mouth and all) cottage. he finds usual peasant housework and chores difficult to deal with, so he employs you to help him around the house. you wake up already months into the job, and he finds it extremely weird how his usually quiet housekeeper is suddenly all chipper and nosy into his work and daily life (i mean, he employed you in the first place because he were anything but that). he doesn't find the change bothersome though, and catches himself starting to look forward to your sudden barging into his room in the middle of the day with his tea balanced precariously in your hands, bringing a new type of entertainment into his less than exciting life.

aventurine in: stopping us from going broke!

you've reincarnated into the body of the wife of the gambler noble: aventurine. originally just a side character who gets all his money taken away from him by the male lead in service of the plot, you work to stop that aaaaaall from happening - mostly to save yourself. your current life is cushy and you would love to keep it that way! along the way, you've gotten to interact more with your husband, who usually keeps out of your way and only speaks in condescending tones. eventually, you find out that nothing is as it seems, and you discover more and more of your husband's past, and you slowly find yourself finally falling in love with each other, slowly, slowly.

sunday in: wait, is this story about us?

sunday is the tragic villain of the story - obsessed with keeping the status quo, his plans keep getting thwarted by a pesky pest - YOU. after all, he is your favourite character, and you would rather not see him go down the path that leads to certain death. you keep taking random tools that will help him, and his informants keeps mysteriously disappearing under unknown circumstances. his messages sent by bird never seem to reach their destination and his henchmen are always tripping over misplaced equipment and the main leads never seem to be where he needs them to be. he eventually pins the blame on you, and turns his gaze and focus on getting you to his side before continuing on with his plans. after all, anyone who can thwart his plans and keep up with him like this deserves to be rewarded and kept by his side, not killed.

jing yuan in: saving the general

he's the general who strikes fear into his enemies. he's the teacher whose students barely make it out alive every class. he's your sleepy boss who makes you do everything. yes, the feared and mighty general in private is utterly dependent on you in his private and daily life. as an avid reader of the original novel, where jingyuan is killed so that his mentee - the protagonist, goes off on his hero's journey in revenge, you never knew that being his assistant would be such a hassle. but the protagonist is currently a child, and he runs around your feet - so much so that you are starting to question whether the him whose challenging you to a duel right now with a wooden sword when he's only half your size is the same character as the one you read on the pages of the book. either way, you should be responsible and raise him well, while also hopefully saving him from the heartache that is losing his father figure in a few years. after all, you've gotten yourself in his good graces, and you kind of have a soft spot for him as well, not that you'll ever admit it.

[crystallinestars]

Taking Care of Them

Short scenarios about Argenti, Aventurine, and Jing Yuan receiving much-needed care and comfort from you. Pure fluff, a little hurt/comfort for Aventurine's part.

I took some creative liberties with Aventurine's character since we still don't know everything about him yet, so this is simply my interpretation of him.

This isn't proofread because my brain is fried from writing.

--------------------

🌹 Argenti:

As a Knight of Beauty, Argenti is a highly skilled fighter who puts his very life on the line to vanquish his foes. Usually, he defeats his enemies with grace and style, but even the refined Argenti sometimes sustains injuries.

In his most recent battle, Argenti made it out practically unscathed, save for a few scrapes and bruises that marred his handsome face. That was how he found himself obediently sitting on your bed while you treated his wounds.

“I apologize that you have to see me in this state,” he murmurs, guilt darkening his expression. “I did not want to cause you worry.”

“No need to apologize,” you brush off his concerns with a smile. “Now turn this way. I’ll clean the scratch on your cheek,” you said as you gently turn Argenti’s face to one side to reveal the shallow, red gash on his cheek.

Argenti complies without hesitance and sits perfectly still as you dab at the scratch with a cotton ball soaked in alcohol. It stings, but the Knight of Beauty unflinchingly tolerates the burn with a small smile on his face.

He can tell through the delicate and careful way you clean and dress his wounds that you care a great deal about him. Your touches were gentle so as to not cause him unnecessary pain, yet no less thorough. It felt nice to be touched so tenderly, to be cared for in such a loving manner.

Your heart is beautiful, he thinks. To possess such a caring and loving heart, you must rival the beauty of his beloved Aeon Idrila. Argenti truly believes that you are a wonderful and beautiful person, both inside and out.

As you finish patching up the last wound and pack away your first aid kit, Argenti turns to you and gives you a radiant, sincere smile from the heart.

“Thank you…” he softly says as gently takes one of your hands and kisses the back of it, “You have a dazzling heart—so pure and gentle. I feel like the luckiest man in the universe to have the privilege of receiving your care and affection.”

His words may sound over-the-top and perhaps even fake, but he truly means them. Every single one. Even if you don’t entirely believe him, the amused smile that his flamboyant phrases elicit out of you is all the reason he needs to keep them up.

“You’re welcome. Just try to be more careful next time. I’ll love you no matter how you look, but I hate seeing you hurt,” you murmur in reply and lean in to kiss the band-aid on his cheek.

“There. A kiss to make it all better,” you giggle as you pull away.

The little gesture catches Argenti by surprise, but he can’t say he didn’t like it. In fact, he enjoyed it more than he ever thought he would.

With a small chuckle, he pulls you close to kiss you fully on the lips. If you don’t take his word for it that he feels incredibly lucky to have your love, then perhaps his actions will convey the sincerity of his feelings for you.

🦚 Aventurine:

All his life, Aventurine has faced hate. Hate for being Sigonian, hate for being a dog of the IPC, hate for acting exactly the way that’s expected of his kind. He played into people’s perceptions of him. Why waste time trying to correct their views when they won’t change? It’s easier to just act according to their expectations and hide who he really is behind this playful and sly mask.

Only with you does he let his carefully crafted façade crumble to reveal his vulnerable self.

Aventurine is very good at acting like everything is fine when the world is against him. Perhaps to an extent, he truly believes that life is all about fighting battles on his lonesome. He can use others and get used as a tool in return, but the only one he can trust is himself. It’s the only life he’s ever known.

However, you’ve known him long enough to tell that the hate and isolation get to him, no matter how much he pretends that they don’t. When he comes home one night after a particularly awful day, it doesn’t take long for you to figure out that he feels down.

Aventurine smiled and teased you like usual, but he spoke less and clung to you more than usual. He hugged you from behind and kept an arm around you no matter what you were trying to do, almost as if he was seeking comfort from your physical presence.

Turning to face him, you glance into his tired eyes.

“What is it, darling? See something you like?” he teased, the corner of his mouth tugging into a smirk.

“Hmm, no,” you hummed. Extending your arms forward, you wrapped them around Aventurine and slowly pulled him into a hug. “I don’t see something I like.”

Aventurine is momentarily stunned by your unprompted action, but he quickly recovers.

“Oh? How come? Am I not appealing enough for you?” he quipped, resting his chin on your shoulder and returning your hug. Unlike your tight hug, his arms wrapped around you in a loose hold, as if he was uncertain how to go about it.

“Quite the opposite,” you softly chuckle, “I don’t see something I like, but I do see someone I love,” you whisper and turn your head to look directly at Aventurine’s face.

A beat of silence passes as Aventurine processes your words, before bursting out laughing.

“That was painfully corny, even for you!” he chuckled.

You scoff but don’t say anything in response, simply continuing to hug him tightly. Slowly, carefully, you card your fingers through his blond hair before moving lower to stroke your palm along his spine in soothing circles.

Aventurine’s laughter dies down, his initial mirth now replaced with something fragile and vulnerable as he falls quiet. He won’t ever share what burdens him, but you don’t need to know the details to provide him comfort. If he doesn’t want to tell you, then you won’t pry. At the very least, you’ll do all you can to support him and remind him that he’s not alone.

Being wrapped up in your warm embrace, feeling your gentle caresses—it all felt unfamiliar to Aventurine. It’s been so long since he felt the tender and loving affection of another person. It took a while, but eventually he relaxed and allowed himself to lean into your body, burying his nose into the crook of your neck.

Silence lingered in the air, but it wasn’t uncomfortable. There was something soothing in not having to talk. It was freeing to not worry about pretending to be okay or be pressured to talk about the things that trouble him.

That hug—that simple act of human affection—made him feel safe and protected in your arms. When you leaned back slightly to plant a tender kiss on Aventurine’s forehead, something inside him snapped and he had to hold back tears. Burying his face deeper into the crook of your neck, he clung tightly to you while you continued to rub slow circles along his back.

“It’s okay. It’ll all be okay, I’m here. You’re not alone…” you whisper, hugging him tighter.

Being wrapped up in your warm hug, feeling your affectionate kisses and gentle words is something Aventurine never knew he needed until now. Just for this moment, he lets his walls come down and bares his wounded self to you with the hope that you can soothe his pain if only a little.

And you do. With whispered reassurances and loving caresses, you ease his hurt, even if just temporarily. He is safe, you promise. He will always be safe in your arms.

🦁 Jing Yuan:

Jing Yuan is notorious for disliking the abundance of paperwork and other leadership tasks he has to take care of on a day-to-day basis as a General of the Xianzhou Luofu. Despite his woeful sighs about how tedious it is, and how the work never seems to end, Jing Yuan still accomplishes all his duties in a timely and precise fashion.

Jing Yuan is a hard worker, you are well aware of that. Which is why when he snuck out of the Seat of Divine Foresight to come spend some free time with you, you offered him to rest on your lap. And who was he to turn down such a tempting opportunity?

Sitting outside on the veranda with Jing Yuan’s head resting on your lap, you softly ran your fingers through his fluffy, white hair, marveling at how silky it was. It was as soft as it looked.

“I could get used to this,” Jing Yuan said with a sigh, relaxing into our touch. His golden eyes were closed as he enjoyed the sensations of your fingers combing through his hair, gently massaging his scalp and soothing any tension he felt.

Chuckling, you looked down at him, mirth dancing in your eyes.

“Really? I wouldn’t mind having you as my lap cat like this more often. Why not come see me every day and get pets?” you tease him as you lightly poke his cheek.

Jing Yuan cracks open one eye to give you an amused look.

“Being your lap cat sounds like a wonderful idea,” he sighs, “Laying on your lap and getting pampered sounds like my ideal life.”

Both of you burst out laughing at the ridiculous notion of Jing Yuan being a lap cat, your spirits lifting as the mood brightened even more.

“Ah, but if you ever want to take a break and relax, you’re always welcome to see me,” you say in a softer voice this time, resuming running your fingers through his tresses.

“I’ll keep your invitation in mind,” he replied, his voice dropping an octave as he relaxed into your touch once more.

The minutes pass in a comfortable and serene atmosphere, with you pampering Jing Yuan with affectionate caresses, meanwhile, the man listens to you talk about your day. You both knew that after this he would have to go back and complete the mountain of work waiting for him, but for now, you were content to spend this little bit of time with your beloved.

Under the warm sun and gentle breeze, with his head resting comfortably on your lap, Jing Yuan felt himself growing drowsy. His eyelids became heavier, and his body didn’t want to move from his position on your lap.

Noticing the General grow sleepy, you fought the urge to tease him. If you pointed out his sleepiness, he would most likely apologize and put a stop to this tranquil moment by getting up and heading back to work. He already saw you less than either of you wanted, simply because work kept him busy. Moments like these were a luxury.

Keeping quiet, you gently massage his scalp until his breaths even out and become deeper, seeming to have fallen asleep. His expression looked so serene and vulnerable, something that very few people have had the chance to witness. As his lover, you were privy to this sight more than most. You watch over him with a small smile on your face, gently tucking away a stray strand of his hair.

Thinking he was asleep, you lean down to press a lingering kiss to his forehead, but as you straighten, you notice Jing Yuan peering up at you with an amused glint in his eyes.

Growing flustered, you quickly look away, feeling your cheeks heat up with a blush.

Jing Yuan only laughs in response, but his laughter quickly turns into a contented purr as you shut him up with another head massage. Whatever teasing remark he had prepared, immediately died on his tongue as relaxation washed over him and he felt sleep take hold of his mind again.

“It’s ok, take a nap. I’ll wake you up in a few minutes,” you murmur, willing Jing Yuan to finally get some rest. You could tell he wanted to protest, but with a light brush of your thumbs over his temples, he released a sigh of defeat and conceded.

“You certainly know how to take advantage of my weaknesses,” he chuckled, voice a little hoarse from drowsiness.

Despite his initial reluctance, Jing Yuan fell asleep fairly quickly. The continuous days of endless work had left him exhausted, but your tender pampering and sweet company were just the respite he needed.

“Sleep tight,” you whisper, gracing him with another sweet kiss on his forehead.

[bluecollarmcandtf]

Dating a ghost isn't easy...

I love my boyfriend. I really do, but his death has put a strain on our relationship. At least Halloween is close which means his spirit is close too. Like always, I spend lunch alone at our favorite cafe, waiting for him to fill the empty seat next to me. I jump when a burly worker throws his heavy frame down, blaring a husky, "Hey sexy! Give your man a smile!"

"Danny?" I ask, shaken by the guy's abrupt arrival and more-than-rough countenance.

"The name's Gordon," he bellows back, draping his dirty arms and legs aggressively outward, "But yeah, it's me sugar, your dead boyfriend. I thought you'd appreciate me showing up in a hunky body of the working man!" He flexes one of his thick arms and flashes challenging looks at some of the nearby customers.

His crass words make me shudder. My Danny was soft-spoken, charming, and thoughtful: nothing like the rude, stinking gorilla in front of me. Sure, a big hairy construction worker like this is great to fantasize about, but it's less exciting when that hulking body is sitting right there. His cocky mannerisms, sour body odor, and wandering eyes that seem to undress everyone they land on: it all adds to the growing pit in my stomach.

"You just gonna stare, sweet-lips?" he goes on, snickering with Gordon's deep timbre, "Spent the morning jackhammering the sidewalk, but now I could hammer your organs out!"

"Danny!" I blush, checking to see if anyone overheard. They're already staring, probably wondering why this guy sat down at this nice cafe caked in mud, "Can you cool it with this Gordon-the-macho-construction-worker vibe? I know you can't help it, but it's a bit much!"

"Fuck! Just shut up and kiss me already," he grunts, leading his heavy body covered in sweat with puckered lips in my direction.

"Danny sto-OH!" I can't help but melt into the bulky embrace. With arms like Gordon's, I don't have much choice, and though his breath smells like cigarettes and his skin is slick with sweat, I enjoy finally kissing my boyfriend again even if it is through the mouth of some ridiculously unmannered construction worker. At least I've got my boyfriend back!

"That's my boy," he growls low in my ear, and I feel a strong hand squeeze my ass tightly through its filthy work glove. Fuck! Danny is so assertive inside this Gordon character.

"Babe, please not here," I wheeze from the effort of escaping the intensely strong grip, "And not with Gordon. Aren't you tired of being an dumb, hairy ape yet?"

"Not at all!" he announces as he reclines in his seat, almost yelling with Gordon's loud voice.

I shake my head, admittedly feeling more and more amused by this rough-around-the-edges giant. Ever since Danny passed away and started possessing people, I realized hopping into bodies wasn't like the movies. He didn't just jump into some dude and take over, his soul became entwined with that other person. All of his hosts have personalities, memories, and habits that bleed into Danny as long as he's wearing them. Honestly, more of the host shines through than my actual boyfriend does, but regardless of who he possesses, his love for me is never affected. I suppose that's enough to put up with some of the more unpleasant quirks of each guy he takes over.

"I don't mind walkin' around in Gordo's boots," he grins at me, obviously at home in the man's sun-dried skin, "But lemme see if I can find a cleaner stiff to hop in for ya."

With that, Danny hoists himself off chair. I swear every move he makes in that body is startling, shaking the table with the ruckus of his tool belt being carelessly whipped around. Seeing the burly worker stand there with his hands on his hips makes me almost regret suggesting he swap out of the body. Sure the mud, sweat, and body hair makes my skin itch, but imagining that thug attacking me with his careless dominance is turning me on: not to mention the tight ass beneath that denim.

"Lunch break is almost over. Needa head back to the yard," he growls and then catches himself, "I mean Gordon does. I'll be back in someone else to finish this fuckin' date!"

"You're a real working man, Gordon," I tease, understanding this character a bit better "I'm sure you're the big boss on site."

"You bet yer ass, I am," he thumbs his chest proudly, "Someone's gotta keep the guys runnin' smoothly. Who else gonna do it?"

"Well I'll let you get back to work. Hopefully I'll run into you again. Maybe at home tonight?"

"Hell yeah!" he bursts, "I'll hop in this guy later, so I can take a look at your plumbing. Anything you need! ...I'll be your handyman, baby!"

"Hope you don't mind getting your hands dirty," I wink, and he flashes me one last wild grin from Gordon's face. That grin falters, and the construction worker shudders. His eyes still stare at me, but I can tell they don't recognize me anymore. Danny's left his body.

"Uh, sorry 'bout that," the real Gordon mumbles, "Dunno what came over me."

"Don't worry about it."

"We know each other?" he asks, pawing at his head in desperate confusion, "We been chattin' like we do. Only just realized I don't think I know you like I thought I did." The poor guy's mind is probably racing with conflicting ideas.

The laborer chuckles nervously. I can tell Gordon is completely unsure about what he's been doing. Danny seems to have that effect on his hosts. Understand that they're still conscious while he possesses them; his thoughts just merge with their own. So, right now, Gordon the rough-neck construction worker is trying to reconcile the fact that he's been thinking of me as his boyfriend for the last twenty minutes. The poor guy's probably never had a gay thought in his life! Yet he just spent his break flirting with some random guy at a random cafe. He even kissed me, and I'm pretty sure Danny was imagining some rather homoerotic things with that guy's head.

"Sorry, man," I shrug, pretending to be just as clueless as he is.

"Fuckin' queer," his face hardens into a glare before he leaves our inexplicable lunch date.

"See you tonight, Gordo!" I call lightheartedly.

The construction worker gives me an intense scowl, but I can see blushing cheeks under that matted beard. Danny definitely had some sexual thoughts while possessing that guy, and Gordon seems completely embarrassed that those thoughts were in his head. Well, his opinion on the subject will completely change once again tonight when Danny hops back in.

"Afternoon, sir," a voice hums to my right, "Got some time to thank me for my service?"

"Danny?" I immediately gasp.

"In the flesh," the policeman flirts with a cool voice, "At least, in your hometown hero's flesh." Danny enjoys a sip of coffee and shoots me a smile from the man's sparkling white teeth.

"Uh, are you sure you should be inside a cop," I whisper, leaning in so our fellow cafe-goers won't hear. They were already staring when a big blue-collar bear sat opposite me, but now their intrigue is growing from this man of the law. It doesn't help that this cop is a local celebrity! Nearly everyone's seen him on the news. With a face like that, it's no wonder the force chose him for public relations.

"Allow me to introduce myself," he extends a capable hand, "The name's Officer Steele."

"Well, officer," I try not to swoon too hard as Danny forcefully shakes my palm, "I'm-"

"You're my lover," he interjects warmly, "I know you like a man in uniform, sir. Why not enjoy the best guy this town has in uniform?"

"Wow, I..." I fumble, "...yup. Are you sure I'm not keeping you from anything important?"

"I've got patrol duty today," he nonchalantly answers, "But the town’s quiet. Besides, a guy’s gotta take a break sometime, right? Can’t be all work and no play." The officer's sneer is dripping with pride, clearly keeping a high opinion of himself! I doubt this man would be so open if Danny weren't in their making Steele think I'm his lover. Who knew the cop was as arrogant as he was charming?

"Aren't your fellow police counting on you to protect and serve, officer?"

"Oh sir, I can show you how well I protect and serve. And my men know better than to question me. I mean, look at me. Who else is gonna chase down the perps? Certainly not those doughnut-loving desk jockeys.” Steele stares me down with a confident, haughty look as he rises out of the chair. It's hard to do anything but listen and watch when Danny's wearing a guy like this. His eyes grip me in a trance while his fingers undo his shirt buttons.

"Like what you see, sir?" Officer Steele smirks.

I can only answer with a dumb nod as I drink in the sight of his chiselled torso. Somehow the dusting of blonde fur only defines his perfect musculature further. At this point, everyone in the cafe has stopped to gawk at the cop stripping in the middle of their lunch.

"You make one hell of a cop, Danny," I breathe.

"It's Officer Steele, remember?" he winks, and bounces his pecs, rippling the fabric dangling off his shoulders, "I work out twice a day, before and after my shift. Sure it helps keep the town safe, but I also just like the citizens of this town to see me as the hot, muscular cop of their dreams. I love their eyes on me when I pull them over or walk past on patrol. They're always intimidated, jealous, or turned on."

With this Danny looks around at the people around him, matching their stunned expressions. I'll admit that I'm a little surprised by how vulnerable my boyfriend is getting with this cop's inner thoughts. Maybe this is all how Steele actually feels, but I doubt the officer would want to share it with the world!

"Maybe we should slow down," I suggest.

"Do I need to get out my handcuffs, sir," the cop purrs, his tone sharpening as he steps closer, "I'm used to having a good girl waiting for me at home, but I want that to be you tonight. Men are a whole lot more capable than women afterall. I'll be late from the gym, but I'd like supper ready. Think you can handle that?" His big hands hold me squarely at the shoulders while he stares down in my eyes. For a second I'm lost in the proximity of his handsome face and statuesque muscles.

That's when I notice the ring.

"Jesus, Danny!" I chastise.

"It's Officer Steele!"

"No! Jump out! You hopped into a married man!" Honestly, part of me is relieved to find something wrong. Officer Hadley was starting to freak me out, and now that I know he's married to a woman, his sexist comments are starting to make a lot more sense.

"Oh, come on," the cop rolls his eyes, "She doesn't have to know. You're my boyfriend, anyway! You won't find a hotter guy than me!"

I put my foot down and give Steele a look, appealing to the Danny I know is somewhere inside him. Like I'd hoped, he relents and let's out one more sigh of frustration. Then the cop's meticulously trained body shivers and his eyes lose their intense focus. In seconds, Danny's spirit slips out of the cocky cop.

"Woah!" Officer Steele gasps, "Why did I do that?" He looks just as confused as Gordon did, frantically trying to button up his shirt and lose the attention of everyone in the cafe.

"Beats me," I play dumb, "Hope your wife doesn't hear about this."

"No!" the cop stomps over, "That wasn't what happened. I wasn't...coming on to you or anything. I'm not even into men!"

"Seemed like you were..." I press.

"I don't know what I was thinking. I'm going home to my wife tonight. You are not..." Steele glances around warily before whispering, "...my boyfriend. Got it!"

"Of course, Officer," I assure him, enjoying the rapid crumbling of his confident swagger.

The policeman lingers around the cafe to collect himself and straighten up his uniform. I can tell he'd like to say a few more words before leaving, but he thinks twice with the crowd of witnesses and strides off forcefully. I wonder if a guy like that would lash out if we weren't in such a public place. His poor wife better watch out tonight. I can't believe my Danny was inside a guy like that! The thought of his good-natured demeanor mixing with that man's entitlement and aggression makes me sick; not to mention his antiquated ideas about gender roles!

That's what's always so tricky about dating my boyfriend through a neverending series of hosts. Sure, I get to sleep with a rotation of the hottest characters I want, but the bad gets mixed in there too. I have to put up with his body's offensive ideas, mean comments, and weird behavior. I know I can't blame Danny for it, but while he's possessing those guys, those are his thoughts as much as they are theirs. It's just unsettling.

"Sorry about that," I hear behind me.

"You're in the waiter now?" I feign a smile, unable to hide how tired I've grown.

Now that the cafe is rid of the policeman and construction worker, the atmosphere of the place seems to go back to normal. People turn their attention back to the food on their plates or the screens on their phones.

"Can I get you another cup? It's on the house," the cafe server tries to lighten the mood.

"Danny, I'm just tired..." I admit, "Wait, what's the name now?"

"It's Josh," the waiter replies, "But I am sorry about being inside that cop. I just want tonight to be special you know. That's why I've been combing the town for the biggest, hottest guys to jump in. You deserve the best!"

"Josh...Danny, you don't need to give me the best. Sure it'd be fun to mess around with you inside Gordon or Officer Steele, but right now I want you to be in someone that makes me feel like it used to. I miss you, the real you."

"I guess I really did pick some bad ones today," the waiter chuckles, smiling with dimples in his cheeks, "I felt so manly and tough in Gordon; like I didn't give a shit about anyone except my man. In Steele I felt so cocky and sure of myself, and honestly a little too entitled to you. It's hard to realize if I'm in the wrong with each of these guys. In their heads, they all believe themselves to be right, and I can't help but think the same in the moment."

"I know," I sigh, frustrated by the influence these guys have over my ghost boyfriend, "How do you feel in Josh the waiter."

Danny perks up in the cafe worker's body. I have to admit that this guy's energy is infectious, and he's far from bad looking. His broad shoulders look perfect for hugging, and he smells faintly of coffee. I don't know how I never noticed him working here before. I must've been preoccupied, looking for ghosts, to miss a charming barista like Josh.

"I have to admit something," Danny says with Josh's sweet tone, "I've got a crush on you. Had it for awhile. You're the hot guy that always sits here during lunch."

"Well, I'd hope you have a crush on me. You are my boyfriend afterall," I snort.

"No, I, Josh, have a crush on you," he smiles.

"Oh," I'm at a loss for words. Somehow this feels like a whole new can of worms. I'm flattered, but unsure. Is it weird if I flirt with someone that has a crush on me while my boyfriend is inside them? They're both conscious right now, so it's genuine right? But am I really flirting with Josh as long as Danny is in there too. Does flirting with another guy while your boyfriend is possessing him count as cheating? I can't even keep track anymore.

I don't have time to think before Josh/Danny has rushed over and pulled me into his arms. It feels just as good as I imagined to be in the waiter's embrace, and it feels even better to kiss. This guy, this Josh, seems romantic, kind-hearted, and gleeful; he reminds me of what it was like when Danny was alive. Before I know it, my boyfriend/new crush is clocking out of work and leading me to his car, holding me close, and whispering in my ear, "Happy Halloween, babe."

I love the spooky season.

[really-burnt-toast]

Redesigning my COTL cast pt.1

HAHA I'm finally done! I only made busts tho bc Im lazy and Im not putting myself through drawing a size chart... YET.

It WILL come, just so I can show pretty outfits and show how ridiculous Leshy's hight is LOL

If you see any spelling mistakes, please ignore them <3

(more info and rambling under cut)

Here I'll write some more things relating to each character;

Lamb

Born in Darkwood to a single mother, their mom had named them Mellia after the flowers that grow there, since they had aided in striving off an illness she had during the pregnancy.

The Lamb grew up pretty happily despite being on the run. Their mother was eventually caught whilst they made an escape. During their years of hiding, they broke their leg during one particularly risky escape and were caught not long after.

Their number is 1.600.666 because I keep making a connection between Darkwood and Germany's Schwartzwald - there are 1.6 million sheep in Germany - so I decided to have that be the approximate number. 666 was just added for fun.

Their ear was tagged to keep track of how many sheep were caught in which realm. They just so happened to be the last to be executed. By mere coincidence.

They were born without horns and kinda made the crown shape into a set. It has the benefit that they can rip em off and use them as impromptu weapons.

Due to centuries of being treated as a tool for a prophecy and merely a vessel, their self esteem is downright horrid. Whilst they don't condone followers speaking ill of them, they pretty much let Narinder trample on their feelings up until they had snapped one day. In the end it did help them both, but it wasn't great it had to be taken to that point.

Extra: I added the vitiligo because when I imagine a human version, I couldn't help but see them as having Vitiligo. Their leg limp was made after I thought it would make them look more imposing seeing someone "weak" suddenly pull out a giant hammer.

Narinder

Found within a burning village under rubble, clutching a crown as war raged around them. He was found by Shamura and taken in.

He was the first to create resurrection and back then it was an EXTREMELY taxing ritual. It would require his own godly flesh to beckon people back to life - thus it would literally cause his skin and flesh to melt off his bones. Now that's not needed anymore but his body is still weak to it, meaning during certain stress factors, he can still become skeletal. He doesn't have scarring from it, but gained some cool markings.

He was bound by his arms, torso and neck - all of which are scarred. In the afterlife he was perpetually sitting, causing him to be paralyzed from the waist down. Once he was usurped he had to regain his ability to walk and was taken care of by the Lamb.

He was in a catatonic state for many years and it only got better gradually with many setbacks. For years he never left the bed and by the time his Siblings had been rescued, he had barely started going outside. He was also suffering from chronic pains which wasn't really helpful.

He's also very... Temperamental. It took him just as long to say anything nice to the Lamb and it took him extra long to see them as more than his vessel.

Extra: I changed his markings to be more like I had imagined them. The catatonic trait and chronic pain was added after the update and I remember how horrible it was having tendonitis and I wanted to channel my distaste into Narinder.

Shamura

Found and raised by the last gods, they weren't the greatest sibling. They may have taken in the others but it took them a long time to be anything other than cold. With Kallamar, Shamura was distant and strict - then with Narinder they attempted to be less harsh after the kid started crying himself to sleep. With Heket and Leshy they got less and less cold. They tried their best, they'd argue.

They got carried away by their feelings as they had feared at the start and that's when the first prophecy came to them. They had kept it hidden for way too long until the balance of the crown's powers were ripping at the seams due to Narinder's pursuit in power - and they made a decision. They had told Kallamar first. Then Heket and Leshy were brought in.

Stuff happened. Now they are barely coherent and at most have an hour or two at a time where they seem to make sense. Leshy stays with them the most. Kallamar takes care of them. Heket takes care of the rest. Their skull is caved in, they lost an eye and limbs - some of the damages can't be hidden by bandages.

There's also this thing that their crown keeps getting out of control whilst trying to keep their mind stable - sometimes they'll get startled - attempt to form a weapon and instead end up with their arm speared through. They have scarring all over their body from it.

Upon recruitment they are pretty overwhelmed. Their crown can't stop them from breaking anymore and they have gotten so used to godhood that mortality now feels like they are literally rotting alive. They can feel their body wasting away.

Only after getting their relic back do they start becoming more independent and stable. They nowadays go through some sort of rehab to try and regain their sense of self.

Extra: Not much was added. I wanted to give them Glasses but I can't for the life of me draw them with a pair... So Ill just say they have them but not show them LOL

Kallamar

His past is basically forgotten. It sorta slipped away since he hadn't deemed it fit to be remembered. At first he had MANY fights with Shamura, then it ceased after a confrontation turned violent which left him with a bad scar.

He had to take care of his younger siblings whilst coming to terms with godhood - filling in whenever Shamura wasn't physically or mostly emotionally unavailable. For a long time he was the only one that could comfort his ailing siblings. Dealing with that sort of made him pretty easily agitated.

When Shamura proposed the plan, he had been hesitant - but ultimately didn't say anything.

Now he takes care of his siblings medically. He hates himself more than he hates anyone else and as much as he is quick to condemn and betray Shamura - he is also quick to condemn himself. Though maybe not as enthusiastically or openly.

He likes to compensate. Giving gifts to request forgiveness - grand displays of favoritism or mainly decking himself and his multiple spouses out with Jewels. He still keeps his wedding rings around his neck and his earring references his siblings.

Funnily enough, he caused the least troubles to the Lamb. They could argue he even seemed relieved after a short while of staying in the cult.

Extra: Added Jewelry and two tentacles because he looked naked without them.

Heket

Loudmouth frog that when found with her crown, she started trying to fight Shamura - insulting whatever parent they had. She kept threatening to poison them too.

In the lineup of her siblings, she was often the one who took the sidelines. If she was happy, she was left alone. If she was displeased, she'd let herself known. The most uncomplicated of the siblings.

You'd almost miss how every other bishop would seek her out when help was needed. While Shamura helped with godhood and Kallamar with emotional needs - Heket was a good person to pester with anything else. She'd handle it - just let big sis do it. Even if she was the second youngest - it's funny how even Kallamar and Narinder would occasionally use the nickname.

Then when everyone else was dealing with their wounds, she picked up the pace and kept their respective cults from falling apart. She handled Silk cradle until Shamura could - helped with Darkwood and took over Anchordeep when Kallamar was tending to the others. No problem.

She was still loud when entering the cult. Not as much as her brother - but she loved to cause scenes. Her muteness didn't seem to hinder her at all with that. She's not allowed near knives but somehow can handle axes?

Her temper problems don't get better. She just stops being an asshole about it.

She prefers having scarfs covering her neck bandages whilst they're all bloody and disgusting.

Extra: Nothing because Heket is already perfect.

Leshy

Literally a weird insect that kept clinging to the crown until it grew big enough to hold in one hand. It bit anything that got close and by the time Shamura found it - he had started eating small critters.

And god, he kept growing and growing until he wasn't a small worm in Shamura's hand but literally too big to fit through most doors. They suspected he'd grow until the end of time. Or well, now since his crown is gone.

He never listens. He screams for fun and overshares the worst details to the point he manages to break his siblings into just accepting anything he talks about. They can't even scold him or punish him since Leshy always finds a way to make things worse for anyone else but himself.

He also copies everyone. First it was Heket's tone. Then it was Narinder's behavior - now he started growing flowers and vine braids to make fun of Kallamar and his antlers were at first a crude mimic of Shamura's pedipalps and now they grow vines to be similar to the jewels hanging from them. He refuses to acknowledge doing so.

He's very clingy. After locking away Narinder, he stayed with Shamura every day until they were out of bed rest. He follows his siblings around and when he does give them a second to breathe - hes probably laying around in Darkwood instead of doing anything productive. He does tends to plants occasionally, but he prefers "to let chaos do its thing" - as if that means anything.

He makes for a great gardener after he stopped trying to break everything upon recruitment. And once he got over growling at every living thing - he actually became one of the most well liked people living there.

Leshy knows exactly what someone needs and somehow finds a way to achieve that with the littlest of efforts. It's the thought that counts.

Extra: Braid and vines because I thought Leshy would look cute with it.

Special: The 4 bishops all wear old faith themed robes, but Shamura got the elder clothes for comfort and Leshy kept tearing his clothes apart so he is not permanently excluded from having any special outfits as punishment. Narinder wears fancy robes (who happen to be loose and warm while being special - otherwise he'd complain)

The Lamb wears one of the leaked fleeces since I loved the red riding hood aesthetic.

In the end this turned more into biographies than actual explanations but its 3:30am, Im sleep deprived and I wanted to get my thoughts out because I start having memory problems again YIPPEE

[deadghosy]

Hello ! I wanted to ask if you can write a Hazbin Hotel x male!reader that is like a raccon please ?

Ignore it if you don't want to write it !!

(Unconnected, but I really love your writing. You have a real talent for this)

Sure lol! I also wanted to make them have the animal spirit of a raccoon so here you go! 🦆💗

HAZBIN HOTEL X RACCOON! READER

prompt: a ex-thief wants redemption to see his family

You stole shit..like lots of it to the point even your ex-teammates calls you a raccoon for your ability to steal like crazy. So when one of your teammates killed you because of they were jealous you got so much jewelry…. You fell into hell grumbling piss at seeing your ex teammate shoot you before you died.

You dusted off your outfit to fuckin' see you are a raccoon. (You can imagine reader to be a cubby raccoon or your body type 😘) but you gotta admit it fitted you as you looked to see an ad for a hotel that talks about redemption. You didn’t wanna stay in hell any longer as you smell the flames in your snout. So you go over to the hotel.

You stay at the hotel for months, getting the trust of the hotel staff as you live there. Charlie introduces herself in her dreams to you, making you feel at least as you should help her grow in her dreams of the hotel that she’s making out of this.

So you nod, accepting your be part of the exercises she does.

You either was given a red outfit just like Charlie and vaggie or just a black fit to match your mischievous personality. 

I can see reader literally just trying to wash their hand from the sink as Charlie pick them up and helps you wash your hands thinking you can’t change heights.

Lucifer picked you up because you’re the size of a raccoon so you kind of found it funny until you grow up in size as human size. Never in his life has Lucifer dropped a person so quick as you chuckled. 

“EW A RODENT” “EW A SHORT PERSON”

There was so much silence that the silence was loud as Lucifer gave you a “that’s not nice D:” face as you shrugged.

Raccoon! Reader and penguin! Reader would be cousins 😭

Like literally these two animal readers would be those cousins trying to get a sleepover by their moms.

Angel would probably set you up to steal from Valentino…I mean shit Italians stick together☝🏾

Niffty likes to groom you if you are in your raccoon size. Don’t run, you can’t out run Niffty and her cleaning tools ‼️

I can imagine you and sir Pentious being slight mutuals as you go through peoples trash bins and just collect metal for Pentious making Pentious give you something in return.

A cute headcannon is that you sometimes stick your tongue out when drinking something other than gulping it down.

Husk had gave you some water because you were dehydrated. And this man raised an eyebrow seeing you drink it like a cautious animal. Okay so maybe husk did pet you on your head as you were too busy drinking the water.

You are a slick bastard, you would literally pick pocket people without them even knowing it. Hell, you died with a talent because of this. But it’s sometimes hard to break bad habits.

I headcannon you bit a resident that tried to pickpocket off of you. You definitely gave them rabies with your sharp teeth as they started to spazz and pass out. Leaving you just standing there like. “Did I do that…😨”

I can see raccoon! Reader just being thrown by Angel when he wanted to catch some sinner who tried to take his drugs (pilot reference) and you got on the sinners head and fuck up their face🦆

It was definitely giving “PIKACHU, I CHOOSE YOU!” 😭

Okay so I gotta admit…I headcannon raccoon! Reader to have dug in the trash bins only to get scolded by Charlie as you had a banana peel on your head

I can see raccoon reader also having the personality of rigby, but more of a mature side to it a little. If you know what character I’m talking about hit me up 😘😍

As much as you seem playful and dumb at time, you’re really smart when you wanna be smart. You literally outsmarted Alastor at chess once which made alastor’s eyes widen at you.

I deadass headcannon raccoon! Reader to have like some kinda of accent. Probably Italian, but make it heavy and attractive. 😭🦆

But like if raccoon reader is Italian imagine the secret talks you and Angel do away from the others 😭😭 just two Italian boys planning world domination

Alastor doesn’t have any options on you other than you just stealing his cane makes him pissed off.

You stole his cane for a talent show down stairs that Charlie made. You were doing comedy until this mf grabbed the scuff of your neck and forced you to give it back.😭

STOP CAUSE YOU PROBABLY GOT LOCKED IN A TRASH BIN ONCE AND IT TOOK THE WHOLE CREW TO FIND YOU IN 2 DAYS😭😭

“Ewww…welp found them Charlie!” Alastor said picking you up over his shoulder with a wide grin as he slides down the dump stash.

You are in charge of the lost and found section of the hotel as you just go in room and find shit. I mean you would love to keep them to yourself but Charlie and vaggie knew you would try to steal. So that’s why they made you in charge of lost and found.

You and Angel once went on a hot girl shopping spree..well actually Angel brought you along since you two bond very well. You two legit bought shades together while Angel dust went shopping with you behind him holding his bags.

I headcannon raccoon! Reader to have a locket of his mom in his pocket at all times because before going to bed they kiss the locket and wish their mom a good night.

Charlie learnt you liked being pet from your head to your back as it helps you sleep better. She squeaks at your rare cuteness as she hears you let out a few cute snores.

You stole from husk making him grumble looking for his wallet only to see you come back whistling holding a bunch of groceries.

“Let me guess, you stole my fuckin' wallet?” “Whattt me stole whooo?” You said with a smirk putting down the groceries for husk as he grumbles snatching his wallet from you.

Husk and you have a weird friendship dynamic. It’s like you two hate but like each other. So it’s basically frenemies

When the angel fell down and came to fight, what did you do? Bitch you stole their heaven bucks and dead angel’s weapons. If you can’t beat em, wait for them to die😍

Adam literally seen you stealing money from tel he angels and was going to kill you when he felt his pockets…HIS WALLET WAS GONE?! HOW TF DID YOU TAKE HIS WALLET?!

“THAT LITTLE THIEVING SHIT TOOK MY WALLET?!” “ BUT SIR! THAT IMPOSSIBLE?” “NO SHIT!” Adam retorts at lute as Adam grumbles seeing your figure run away

After Adam had died, you ran his pockets…😭 devious ass shit-

The hotel crew just gave you a shocked looked after you stole half of his possessions.

You and Angel dust literally just be chilling and mess with husk a lot 😭 so now husk got two Italians annoying him lmao

Sir Pentious doesn’t like you because of how you sometimes sneak into his room or lab and steal some of his stuff just so you can have a little stash of something to remember the good old days when you were alive.

Sooner or later, you had given Pentious his stuff back remembering your mom might be in heaven. You miss her cooking.

I imagine raccoon! Reader to be a mama’s boy🤨☝🏾

You’re so use to playing dead as a raccoon, as you literally played dead in front of husk and angel making them scared you actually died….yeah you told them it was a prank and they got mad to the point they locked you out of the hotel.

“GUYS! LET ME IN DAMNIT! IT WAS JUST A JOKE! FELLAS?!”

[winterdeepelegy]

Vanilla Gpose Tips

I get asked occasionally how I make my screenshots if I'm not using shaders or mods. The short answer: Patience. Gpose's suite of tools is a lot more robust than it used to be when it was first released. But if you want a screenshot to really shine without using third party add-ons, it's not something you can just go into gpose, take a printscreen and get back out. You might capture a moment with nice lighting that way, but it takes more than that. 1. Choosing a location and time of day is job one. What kind of mood are you trying to convey? Does your intended screenshot have a theme (or a prompt?) or are you just looking at your new glam and marveling at how fine your character looks in it? Does a lighter or darker setting suit the character better? Setting, time of day, and weather can affect this. 2. You can stop time and weather from changing. I keep this on by default because it can take upwards of 30 minutes IRL to fine tune a screenshot. The middle button below. Make sure it's highlighted.

3. Toggle battle effects on/off. It's the button right next to the time/weather stop, the icon of the guy holding the sword. If the icon is highlighted as it is in the screenshot, your battle effects are on. If you want to capture pure motion and not worry about battle effects, turn this off. 4. Wet effect. Use it, use it, use it. It doesn't just make clothes look wet and make skin glossy, it actually helps to bring out texture and detail on the character's outfit. Especially since the graphics updates in 7.1. I've found it also adds shine to hair and can help the eyes stand out more.

5. Sticker Mode. Yes, there are oodles of cute minion stickers, flags, and numbers, but there are also some great effects to be found in the Decorations category! Sparkles and twinkles, lens flare, among other things can help enhance metallic points on a glamour, AND they can be resized! So if you want a more subtle twinkle on the edge of your spectacles or earrings, you can tilt and downsize your desired sparkle. There are also cute flowers and hearts. 6. Quick Keys. If you're playing on a keyboard, the 1 on your top number row freezes the screenshot. This is extremely helpful if you're trying to catch a battle emote right at a specific moment. If you miss it, keep trying because emotes will continue to cycle until you change them. R and Scroll Lock will both hide/unhide the gpose controls. X will turn on lighting. Space Bar will toggle your character to stop them from facing the camera and vice versa. 7. Lighting Intensity is Dependent on Distance. The closer you're zoomed in on your character, the brighter the light is going to be when you turn it on. Try adjusting your zoom in or out and toggling the light to see if the illumination is to your liking. You can also adjust the RGB on the lights to fit the mood/environment. I also recommend turning on Manual Brightness. 8. Color Filter and Screen Effect. These two features, in my opinion, require the most patience. Not every color filter and screen effect will work well together in every scenario. Click through and preview all of them in your screenshots and see if some SE's work better with your preferred CF. You might find an unexpected combination that you love. Trailer and Echo color filters are great for flashbacks (no one uses Aetherometer, it's an eye bleeder). Use the Pencil or one of the monochrome CFs and Noise 2 SE to create a nice black and white film or photo effect. 9. Frames. Frames are one of the more limited features and not always needed in order to capture a great screenshot. Action poses benefit from the Cinema frames, however, while more lighthearted moments play well with the photo options.

10. Emotes. Before you enter Gpose, be sure to /groundsit to clear your most recent emotes. Summoning mounts and minions also count as emotes for the sake of Gpose. By the same token, you can use battle abilities before entering Gpose, and this is what it will cycle through. You can't activate a battle ability while IN Gpose. You will have access to all of your non-battle emotes and facial expressions, though. You can combine any emote with any facial expression by choosing the action first, and expression second, so you can /prettyplease and /awe at the same time to make your character look hilariously horrified. If you enter Gpose with an active battle ability, you can still apply a facial expression to it from within the tool. 11. Bits and Bobs. Enable Manual Focus and Depth of Field will help bring out the details of the background more, and will help to make a more cohesive screenshot. Manual Focus is great if you want your character in the frame, but you want to shift the focus elsewhere, to an object or another person in the background for example. In the same menu where you'll find emotes, click the second eye button to "Track Camera". Your character's eyes will follow the position of the camera. Lastly, again, have patience. Allow yourself time to play with all the tools Gpose has to offer. You're probably not going to get the winning screenshot after clicking Printscreen just one time, you should take multiple shots from different angles with different lighting and effects, then compare them all and pick the ones you like best. And remember, even if it's the true endgame, it's not a competition. Your screenshots are not "worse" or "boring" just because you're not using third party tools. I look forward to seeing what you create, and you should too.

[ginnsbaker]

My Sundown

Summary: You’ve been a Hydra agent for as long as you can remember, when Wanda Maximoff and her brother, Pietro, volunteers for Hydra's human experiments.

Word count: 10K+ | Tags: Wanda Maximoff x GN!Reader | Warnings: Only mentions of smut. Hurt/comfort. Reader is a little older than Wanda. Some angst. | A/N: I missed writing for Wanda, and have always wanted to write canon-ish oneshots for the MCU character. Main Masterlist

-

When they first bring her in, she looks like she's been through hell—eyes hollow, skin pale, a storm simmering just beneath the surface. Her hands tremble, not from fear, but from the sheer, unbridled power flowing through her veins. The room seems to shrink under the weight of it, as if even the walls are aware of what she’s capable of. The other recruits are scared and jittery, but she’s different. Her brother too—both rough around the edges, like two sides of the same scarred coin.

“Where did they round up these rats now?” you mutter to Lev, who’s standing dutifully beside you—the only person you've let close enough to be called a friend in all your years with Hydra.

“Sokovian volunteers,” he corrects you, eyes fixed straight ahead, mirroring your own unblinking focus on the twins. Maybe he feels the strange energy coming off them too, or maybe it’s just the routine numbness that sets in after years of blindly following orders.

You nod slightly, though the term volunteer feels like a cruel joke. No one truly volunteers for this. 

“Agent.” 

Dr. List’s voice yanks you out of your thoughts, dreary and impersonal. He calls everyone that way, as if you're just another tool, interchangeable and anonymous. It’s an intentional tactic—strip away the names, and you strip any sense of humanity.  Without a name, you’re not a person; you’re just a weapon at their disposal.

But you know he means you.

You step forward. “Sir,” you reply, maintaining a ramrod straight posture, your eyes fixed on a spot just beside his perpetually scowling face. It seems all villains share that same dour expression, but if this woman—this girl—makes it through the experiments and officially joins the ranks, she might just break the mold, looking more like an angel than a monster. You quickly shake off the thought, stifling a grimace at the odd turn your thoughts have taken.

When you risk a quick glance at her, you catch a ghost of a smirk playing on her lips, as if she knows exactly what you were just thinking.

“You’re to oversee Wanda Maximoff’s progress,” Dr. List continues without sparing you a second glance. “Ensure she complies. If she doesn’t…” He lets the threat hang, but you don't need him to spell it out. You know what Hydra does to those who don't meet expectations.

“And the boy?” you ask, genuinely curious about the other twin.

Dr. List gives you a sharp look, like he suspects something. Questions are frowned upon here, but ever since you laid eyes on Wanda, a persistent tingling has crept up the back of your neck.

To put it bluntly, she unnerves you, and you'd much prefer to deal with her brother.

“Strucker decided to…take a more hands-on approach with him,” Dr. List says.

“Understood, sir,” you reply crisply, reaffirming your commitment to your orders. You steal another glance at Wanda, only to feel a rush of heat when you realize she’s been watching you the entire time.

-

Wanda looks even more formidable once she’s showered and changed into fresh clothes. You can’t decide if it’s because the sinister gleam in her eyes remains untouched or because the grime and hardships of life on the streets have been washed away, revealing a haunting beauty beneath the dirt. Clean, she’s striking—but that beauty only makes her more dangerous. You’ve tried to delay any direct interaction with her, but this morning, Dr. List visited to follow up on the initial assessment, leaving you no more time to postpone. After a week of stalling, you’re out of excuses, and there’s a lot of ground to cover.

As she steps out of the small bathroom, her damp hair clings to her shoulders, softening her otherwise sharp features. The moment she becomes aware of your presence, her gaze locks onto you, and she begins to comb the wet tendrils back with her slender fingers. Your hand tightens around your keycard involuntarily as you take a deep breath, reminding yourself that Wanda is just like any other volunteer who entered the organization and never left its walls to see the light of day. Besides, you’re armed, and Wanda is not. It’s ridiculous to be this on edge around someone who's at a disadvantage.

“You,” Wanda murmurs, her accent rolling off her tongue like a slow, winding river.

“Shall we begin?” you ask, keeping your tone even and detached. You can’t afford to let her see how much she frighte—affects you.

Wanda ignores your request. Instead, she tilts her head slightly, studying you with a keenness that makes your skin prickle. You meet her stare, determined not to show any cracks, even though your heart's hammering away.

Finally, she nods—a small, almost imperceptible movement. 

You clear your throat and motion towards the small cot given to them as beds. “Please, have a seat,” you say.

This time, Wanda complies without a word. 

You glance around the room, searching for a seat, and silently berate yourself for not arranging one beforehand. It’s a small oversight, but it makes you feel foolish. With no other option, you settle against the farthest wall, opposite her, and lean against it, though it doesn’t make you feel any more grounded than you did a second ago.

In your hand is a file detailing everything Hydra knows about her, which isn’t much. You open it with a practiced ease, flipping through the pages, but you’re aptly aware of her eyes on you, watching your every move.

“Wanda Maximoff,” you start. “The procedures you're about to undergo are highly experimental. Hydra won't be held responsible for any injuries, no matter if they're permanent or temporary.”

Including death. But you are prohibited from disclosing this to avoid causing panic or stress among the subjects.

Wanda says nothing, her expression unreadable, but you can sense she’s lingering on a thought. Not sure what it is, you go on, falling back on the lines you've memorized these last few months.

“These procedures will enhance your natural abilities, giving you powers beyond what you may or may not currently possess. However, there are risks involved. Do you understand the nature of these risks?”

Wanda nods again. It’s the same answer you’ve received from countless other volunteers, most of whom had no idea what they were truly signing up for. But there’s something different about her, something in the way she holds herself that tells you she knows exactly what she’s getting into—and she’s not afraid.

“There will be a series of physical and psychological evaluations. We will push you to your breaking point and beyond. It is crucial that you cooperate fully. Resistance will only make the process more difficult, both for you and for us.”

You scan her face for any sign of fear or hesitation, but she's a blank slate. It’s as if she’s made peace with whatever fate awaits her here. That bothers you more than you’d care to admit.

“We will also be conducting interviews throughout the process,” you continue. “These will assess your mental state, your thoughts, your fears. Everything you say will be documented, and nothing will be private.”

Wanda's eyes narrow a touch, the first sign of any emotion since she sat down. It’s subtle, but you notice it. Maybe the thought of her mind being picked apart like a lab specimen is getting to her more than the threat of physical harm. Or it could be something else entirely.

“We’ll begin the physical tests tomorrow,” you say, closing the file and hugging it to your chest. “For now, you should rest and eat as much as you like. Your room is monitored constantly. If you need anything, just ask, though your movement around the facility will be restricted.”

The mask of indifference slips back into place. Wanda leans back on the bed, propping herself up on her elbows in a display of casual ease. 

“Do you have any questions?” you ask, mostly because you have to, not because you really want to know. You figure she won't ask anything—most are too scared or too defeated to speak up. 

But Wanda Maximoff isn't most people.

“Why do you do this?”

You can’t help it—a faint smile begins to creep across your face at her question. Most volunteers, when they ask anything at all, are fixated on their own impending ordeal, too scared of what's coming. 

But Wanda isn't asking about herself; she's asking about you. It feels like forever since anyone showed that kind of interest.

Pausing at the doorway, you turn your head just enough for her to see the profile of your face. 

“I do what I'm told,” you say, dodging the deeper question she posed—the real why behind your actions. The truth is, you stopped asking why a long time ago. Reasons tend to blur into excuses when moral lines are crossed in an organization you once trusted.

You're already tapping your keycard against the scanner when Wanda speaks again.

“Will doing what you're told bring them back?”

Her question spins you around so fast it's almost like whiplash. How did Wanda know about that? Was it just a wild guess meant to throw you off? Whatever it was, it worked.

You open your mouth to reply, but the words stick in your throat. You don’t even remember the last time you even thought about them. You've never shared this with anyone—not even Lev. Only a handful of Hydra figures were ever privy to your past.

Wanda couldn't possibly know. Unless—

“Good night, Y/N,” Wanda says, her tone dismissive as she curls into a fetal position, turning her back to you.

If your theory holds, Wanda might be the key Hydra has been searching for—the one who can unlock the powers of the scepter that have eluded so many others. Her apparent ability to read minds could be the very breakthrough Dr. List has been waiting for. 

Finding yourself hesitating to report this discovery surprises you. It’s almost ironic how your conscience decides to kick in now, just when Hydra's goal seems tantalizingly close with the acquisition of the twins. You know what Hydra would do if they realized just how special she is, and the thought of them twisting her into something monstrous is something you can’t even begin to imagine.

-

In the days that follow, you keep quiet about your suspicions regarding Wanda’s innate abilities. You tell yourself that Dr. List will probably uncover them through his experiments soon enough. It’s definitely not because you're worried about what they might do if they decide to fast-track her program.

Yes, you’re just staying out of it, certainly not because you want to protect her.

At least, that's what you keep telling yourself.

-

Your next face-to-face with Wanda comes a week later.

Though you have merely been observing her through a two-way mirror, you've been plagued by sleepless nights since your last meeting, and not even the strongest sedatives at your disposal have helped. Thoughts of her well-being nag at you, despite Hydra's strict rules limiting interaction between volunteers and handlers to prevent any emotional attachments. Such attachments have formed before, and Hydra has always dealt with them ruthlessly.

When you enter her room, she's in the same position as before—curled up on her cot, making herself appear small and almost childlike. She looks up as the door closes behind you, her eyes meeting yours with a quiet recognition. 

As you step closer, the hollowness of her cheeks, the dark circles under her eyes, and her pale complexion are unmistakable. The word weathered hardly does justice to the toll her first week has taken. You know exactly what she’s been through. The tests here aren’t just tests—they’re torture, meant to break people down, body and mind. Even with her powers and confidence, Wanda shows the same signs of strain. She's slight, frail, and clearly, she's had as rough a time as anyone else here.

This time, you come prepared with a metal chair and a freshly prepared tea set next to it, and take a seat across from her.

“How are you holding up?” you ask, although the answer seems painfully obvious.

Wanda shrugs, barely moving, as if the effort to appear okay is too much for her. But then she surprises you.

“How long until Hydra enhances my powers?”

You weren’t expecting that. After everything she’s been through, she’s asking for more? You thought she’d be wary, maybe even broken by now. But the question says otherwise. She’s been through hell, and she’s still pushing forward, demanding more. Is she courting death?

“You seem in a hurry,” you say, hiding your worry behind a soft chuckle. 

Her eyes narrow. “I didn’t come here to wait around. If they want to use me, they need to make me stronger.”

Use me.

How disconcerting. She’s asking for more—more pain, more trials. As if everything she’s endured isn’t enough, as if she needs it to become something greater. It’s reckless and foolish, to say the least.

“We’re moving as fast as we can—”

“Move faster.”

“Wanda,” you say quietly. “What you’re asking for... it could break you.”

“I’m already broken,” she declares, cold and matter-of-fact. “If I weren’t, I wouldn’t be here.”

It’s only when you notice the disgust in her eyes that you realize you’ve been looking at her with pity. Wanda is about to snap back, likely to tell you she doesn’t need your sympathy, when her expression shifts abruptly to one of curiosity.

She tilts her head, studying you—or maybe, with the mirth in her eye, it’s more like she’s mocking you. 

“You look at me like that again, and I’ll ask you a question,” Wanda says, her voice low, almost a whisper.

You stiffen, uncertain of what's coming next, but before you can say anything, she continues.

“Do you want to fuck me?”

The question startles a laugh out of you, abrupt and a bit too loud—almost like you're trying to convince both yourself and Wanda how absurd she’s being. But as the laughter dies down, you feel your face heat up, your cheeks flushing a telltale red that you can't hide.

“No,” you say, your gaze dropping to the floor as you shake your head. You clasp your hands behind your back, one finger nervously picking at a cuticle. “This isn’t what this is about.”

Wanda smirks slightly, her lips twitching, amused by your discomfort. “Isn't it?” 

For a split second, you start to doubt everything. Did you really want to sleep with her? It's been ages since you've even considered intimacy with anyone—maybe too long. Life here doesn't leave space for that kind of thinking, and even if it did, the situation wouldn't allow it. Your heart's been shattered so often you're sure there's nothing left to give—especially not to someone you've only known for a week.

Wait—love?

This is, at best, lust—nothing more.

“No,” you repeat with more conviction.

Wanda’s smirk fades into a slow, knowing smile. “Fine. Just know the offer stands if you ever change your mind.”

A proposition. It’s not the first time you’ve received one, but this offer sticks with you longer than you’d like. Wanda’s already spent too much time in your thoughts, and you’re desperate to shake her off and get back to the task at hand. But she makes it maddeningly hard to do so.

Without looking at her, you clear your throat and begin the routine interview. You refuse to focus on the fact that she’s just openly considered a physical encounter with you—and you’re definitely not considering it in return. 

“Have you noticed any unusual side effects since the last session? Headaches, nausea, dizziness?” you ask, skipping the pleasantries.

“No,” she says dryly. “No headaches. No nausea. No dizziness.”

You jot down her answers, ignoring her evident disinterest in the proceedings.

“Any changes in your sleep pattern?” you continue.

“No.”

“Any unusual pain or discomfort?” you ask, forcing yourself to meet her gaze, but her focus is on the rings on her fingers. The prisoners—volunteers, you correct yourself—aren't supposed to keep any personal items. It baffles you how she managed to hold on to those cheap pieces of metal and silver.

It takes Wanda a moment to respond. “Just the usual soreness.”

You suspect it's more than just soreness. She’s probably downplaying the pain, so you make a note beside her answer.

“Alright, we’ll keep an eye on that. Any changes in your mood? Irritability, anxiety, anything like that?”

Wanda shrugs. “Depends on the company, I suppose.”

You resist the urge to roll your eyes. “Noted. We’ll stick with the same regimen for now. Any concerns or questions about the next phase?”

“What happened to them?” Wanda asks, steering the interview off course.

Annoyance flares up as she probes again, prying into your business. “Don’t you already know?” you snap, your patience wearing thin.

But Wanda doesn’t even blink. She isn’t scared, and that just irks you even more. She should be, if she knew what you’ve done to others who’ve pushed your buttons. You’ve never hesitated to throw your weight around with those who make your job harder.

“Sometimes what really happened and how we remember it are two entirely different stories,” she says, taking a deep breath before she continues. “Our mind protects us from the truth. It obscures what’s real, and what’s not becomes all we remember.”

You're stone-still, your mind drifting back to the past Wanda keeps prodding at. You don't even have a picture of your family anymore. Their voices are gone from your memory, and you're barely holding onto their faces. It used to tear you apart, thinking about them, but now there's just emptiness. You realize Wanda can’t rattle you—she has no leverage because there’s nothing left inside you to disrupt.

You’ve got nothing.

“Y/N?” Wanda presses, her features tightening with concern. 

You consider throwing her blunt words right back at her, but you hold off. Instead, you set the clipboard down on the counter with a soft clack. Turning to the medical cart, you grab a tray of needles and tools, then bring it over to her bed. Wanda's eyes widen slightly, and she scoots back as you sit down on the edge of the mattress. It’s satisfying to finally see her react with something other than that usual smug, unshakable attitude. You pick up a syringe, fill it with a bright yellow liquid from an unmarked bottle, and swipe a cotton ball soaked in alcohol over the top.

“What’s that?” Wanda asks evenly, though you can detect traces of doubt in it that suggest she’s trying to put up a brave front. 

“Supplements.”

Wanda raises a skeptical brow. 

You lift the syringe slightly, letting it catch the light so she can see exactly what you’re holding.

“May I?” you gesture toward her arm.

Wanda eyes you warily, then gives a quick nod.

With her consent, you scoot closer until your knees almost touch. You gently roll up the sleeve of her scrubs, exposing her arm. This close, you can see the goosebumps on her skin and feel the slight tremors running through her. You hadn't noticed before, but she's shivering—not from the cold, but probably from a fever.

Instinctively, you press your palm against her forehead. Wanda flinches but doesn’t pull away. Slowly, she settles into your touch and lets out a small sigh.

“You're hot,” you blurt out, and then quickly realize the unintended double entendre. Fortunately, Wanda lets it pass without comment. You retract your hand and hold the syringe up to her arm, poised but something stops you.

“What are you waiting for?” Wanda prompts impatiently.

You're thinking of straying from the usual protocol, knowing the yellow meds might worsen Wanda's condition, especially with her fever spiking. Deciding against it, you put the syringe down and grab another bottle off the cart, this one filled with a clear liquid.

“Change of plans,” you murmur, prepping the new syringe. You nod at her for her arm, and she shifts closer, making it easier for you. When you depress the plunger, it's quick—so quick that Wanda barely feels the needle's prick.

You pull out the needle and press a small bandage onto the spot. “All done,” you announce.

Wanda massages her arm, feeling no real pain at the injection site. “T-Thanks,” she murmurs softly.

You acknowledge her gratitude with a nod and start collecting your notebook and tools. As you rise to leave, Wanda's hand shoots out, her fingers wrapping around your wrist urgently. You turn, meeting her striking, green eyes.

“I’m sorry about your family,” she murmurs quietly. Her words solidify your suspicion: she came to Hydra with powers already in tow. Mind reading or memory extraction would be invaluable to Hydra, and now, with even more power at your fingertips, you find yourself hesitating to use it.

If Dr. List catches wind of your hesitations, the reprisals will be brutal.

You glance down pointedly at where she's holding your hand, but Wanda doesn’t let go.

“It was a long time ago,” you whisper.

“Time doesn't really heal that kind of loss,” she says, still holding onto you.

“No, but you learn to live with it,” you reply, feeling the truth of your own words.

Wanda's hold slackens but remains. You feel awkward standing there, yet something holds you back from pulling away. You hadn't realized until now how starved you were for such a simple, human connection.

“I lost my parents the same way,” she shares.

“I'm sorry,” you say, and you really mean it. You can't read Wanda like she seems to read you, but in this brief moment, with the walls down, you decide to ask, “Is that why you came to us? To avenge your parents?”

Wanda's grip loosens completely, and she lets go of your wrist. You rub the spot where her fingers were, still feeling the warmth she left behind.

“‘Avenge’,” she spits out. She draws her knees to her chest and hugs them close. “I hate that word. Pietro and I, we're here to stop them. I wish… I wish they’d just leave Sokovia alone. They won’t leave because we can’t fight back.”

Your own past with Hydra comes to mind as she speaks. Back then, you joined because you were out of options. No country to fight for, no people to call yours. It strikes you how different Wanda's motivations are—rooted in something far more personal and noble. She deserves more than what Hydra can offer. 

Wanda looks at you, waiting for an answer. When you don't say anything, she pushes, “Do you think we made the right decision coming here?”

You're all too aware of Hydra’s real agenda. They're not about peace. They're here to extend their control, to bend the world around their so-called divine mission. 

“Sometimes, you don't know if it’s the right choice until it's too late to change it,” you say, knowing it’s not much of an answer. It's just the bitter truth you've come to know. It's all you can offer Wanda.

“Can you do me a favor, Y/N? Will you look after Pietro?”

The same way you’ve been looking out for me, Wanda thinks to herself, relieved that there’s only one telepath in the room.

“No promises,” you say.

Wanda gives a slight nod and starts to withdraw again. She settles back down on the cot, turning away from you, the conversation clearly over.

-

Lev sneaks into your room just before midnight, the door giving a soft creak as it swings open. Though friends, you typically keep to your own spaces. You blink sleepily at him, fighting to sit up and shake off the grogginess.

“Dr. List decided to skip ahead,” Lev says in a rush, closing the door with a gentle click. “He’s moved forward with exposing the twins to the scepter.”

“When?” You're wide awake now, sitting bolt upright in bed.

Lev’s eyes dart to the small window in your room before returning to you, his Adam's apple bobbing as he swallows hard. “An hour ago.”

That can’t be good. It’s far sooner than anyone had anticipated. Dr. List’s decision to advance the timeline without further testing could have unpredictable consequences. You swing your legs off the bed, your brain ticking through the possible scenarios.

“What’s the status now? How did Wan—the twins react?” you ask, grabbing your jacket and shoes and throwing them on without taking your eyes off Lev.

He shakes his head. “I don’t know. They rushed them to the Observation Chamber right after the exposure. Everything’s been kept under wraps.”

You pace a few steps, mulling over your next move. Exposure to the scepter has been lethal for everyone. Even with Wanda's unique abilities, there’s no guarantee she’ll pull through when others haven't.

“We need more information. Can you get access to the observation logs?”

Lev nods, though his expression shows his apprehension. “I’ll try. But security has been tighter since the exposure.”

You catch the anxious twist of his mouth at the idea of sneaking around, and choose to spare him the risk. His relief is palpable when you tell him, “I'll handle it myself.”

He sighs in relief. “Be careful…”

Only a select few can get into the Observation Chamber, and your badge isn’t on that list. You're going to need something stronger than just caution.

-

You slip your underwear back on, feeling Laura’s eyes tracing the contours of your body. 

After Lev left, you headed straight for her. Laura Brown, the Hydra director's daughter, hadn't seen you in almost a year, but the nature of your previous encounters left little doubt she'd be open to reconnecting.

Laura reclines on the bed, a sheet loosely draped around her, smirking as she watches you.  “I knew you'd come back eventually,” she purrs, a gleam of satisfaction in her eyes.

You straighten up, deliberately avoiding her eyes as you button your shirt. “I need a favor, Laura.” 

She leans back against the headboard, the sheet falling to her waist and revealing her bare chest. “This sounds serious.”

“I need to get into the Observation Chamber. Tonight,” you say. You despise asking her—or anyone, really—for favors, but you need to see Wanda. It's imperative.

Laura's eyebrows go up, her smile growing. “Direct and desperate. What's in it for me?”

“What do you want?” you ask, even though you already know the answer.

She thinks it over, then answers, “Keep me company tonight, no strings attached. Just like the old days.”

“Done.”

Laura claps her hands, clearly pleased, and tosses you the badge from the bedside table. 

You pick it up, feeling a bit degraded, like you're picking up coins someone's thrown your way. “I'll be right back,” you promise.

-

The guards give you weird looks as you show up at the Observation Chamber. They had clear orders: only Dr. List or Baron Strucker can go in. But dropping the director’s daughter’s name does the trick. You flash her badge and they let you pass, no more questions asked.

The hallway is pitch-black. This place had been sleeping until now, woken up by the fact that Pietro and Wanda Maximoff hadn’t died like the others who met the scepter. Clearly labeled doors mark the new, grim function of the space.

You think about heading straight to Wanda's room, but you remember her earlier request and decide to check on Pietro first.

The soft beeping of monitors greets you as soon as you step inside his room. He's in rough shape, alive but barely hanging on. You quickly check the chart posted next to the door—it shows low blood pressure and a high dosage of Epinephrine administered, with a note that his chances of survival stand at only 57% as of 11:30 PM.

He looks much thinner and more worn than the last time you saw him, his condition evidently worse. His eyes are bloodshot, his skin pale and stretched tight over his bones. As you move closer, you notice his body trembling, a sheen of sweat covering him despite the room's chill.

Quickly, you pull the extra covers from beneath his bed and wrap them around him, trying to stabilize his shivering. Then, you snag a water bottle from a nearby stand, helping him take slow, measured sips. 

Pietro looks at you, his eyes filled with confusion and pain, struggling to form the words. “Who are you?”

“Just someone who made your sister a promise,” you say, scooping up some water in your palm and gently drizzling it over his head. Pietro sighs in relief. “Get some rest now, and try not to die.”

His eyes flutter shut in seconds, his breath smoothing out as sleep claims him. You linger just a moment to make sure he's really out, then hurry off towards Wanda's room. Your heart pounds in your chest, fear pulsing through you. Pietro was in rough shape; how bad might Wanda be? You cling to a shred of hope that she's holding up better.

The air stays heavy as you enter Wanda’s quarters. You tread lightly, making sure not to disturb her sleep, and check the medical chart by her bed. Unlike Pietro’s dire prognosis, Wanda's stats are steady, but still troubling. Her breaths are regular, without the distressing shivers that torment her brother.

What strikes you is how normal, how peacefully she's sleeping, despite her recent exposure to Loki’s scepter. 

Relieved to see her condition isn’t more severe, you end up at the foot of her bed. There isn’t much to do after confirming she’s stable, and you know you should head back to Laura. But leaving Wanda’s side proves difficult once you're there. Almost immediately, your mind floods with ideas on how to get her out of Hydra’s clutches. If they fully realized her potential, it wouldn't just be dangerous for her—it'd be catastrophic for anyone in their path. Internally, you start plotting escape routes and thinking about who might be willing to help.

It’s strange to think how you went from one of Hydra’s most devoted agents to scheming against them.

Lost in your plans, you're jolted back to the present when you feel a gentle nudge against your thigh. Wanda's foot is pressing against you. She's awake. You look up to find her eyes open, wary and searching.

“Y/N,” she murmurs, her voice raspy from lack of use. “What—what happened?”

You subtly shift on the bed, making sure her toes aren't touching you anymore. You're not sure when you became so acutely aware of Wanda’s proximity, or of the points where your bodies meet.

“What do you remember before all this?” you ask.

She rubs her forehead, straining to recall. “There was a room... a stone emerging from the scepter. Bright lights… then nothing.”

You nod, already knowing half of what Wanda just told you. This is the first time anyone has lived to tell about their experience with the scepter, and you were hoping for more insights into how it unleashes its power. You’d be lying if you said you hadn’t thought about trying it yourself, wondering if you could resist its effects. Being Hydra, curiosity about power was a constant temptation.

“You weren't supposed to be exposed to the scepter yet,” you admit quietly. “Dr. List sped things up, maybe because he suspected—”

“Pietro,” she cuts in, her thoughts finally catching up. “Was he exposed to it too?”

“Yes.”

Her eyes widen, clouded with worry. “Is he okay?”

“He’s alive,” you say. “I just saw him before coming here. He's stable, but it’s precarious.”

Wanda’s face crumples as soon as the words leave your lips. Before you can react, she throws her arms around you, her face buried in your shoulder. You freeze for a moment, uncertain how to respond. It’s been so long since you’ve held someone like this, since you’ve allowed yourself to care enough to even consider it. But then you feel it—tears, warm and wet against your neck. She’s crying.

After a moment, you hesitantly wrap your arms around her, holding her as she trembles against you. You can feel her fear, her desperation. It cuts through your defenses, the ones you’ve built so carefully over the years.

You tighten your hold on her, offering what little comfort you can, but inside, you’re battling your own fear. You can’t afford to care about her this much—not here, not now. But as you hold her, feeling every shake of her body, you know it’s already too late.

Wanda's sobs slowly subside, and you pull back slightly, intent on offering some kind of reassurance despite how foreign it feels to you. You reach up, brushing away her tears with your thumb, trying to find the right words, but they don’t come. Instead, as your hand lingers on her cheek, she pins you with a quiet stare. Before you realize what’s happening, Wanda leans in and presses her lips softly against yours.

The kiss is brief, just a fraction of a second, but it leaves you utterly breathless. She pulls back almost immediately, watching you, waiting to see how you’ll react. For a heartbeat, you're stunned, but then something ignites inside you, something you’ve been holding back without even recognizing it. 

Acting on pure impulse, you reach up, grasp the back of her neck, and pull her in for another kiss. In an instant, you take control effortlessly, letting the animalistic and Hydra part of you come to the forefront. Your thumb presses roughly against her chin, coaxing her mouth open, and you slide your tongue in, staking your claim. Wanda responds with a gasp, her hands clutching at your shoulders, but you’re too far gone to think about anything except the taste of her, the way her body molds against yours.

You tilt her head back, deepening the kiss further, your other hand sliding down to grip her waist, pulling her closer still. The feel of her, the heat of her skin under your fingers, it’s intoxicating, and you can’t get enough. You've never allowed yourself to want someone this much. Just as you think you can't hold back any longer, Wanda's hand captures yours and guides it under her shirt. You're startled to find out she's wearing nothing underneath when your knuckles brush against her hardened nipple. That unexpected discovery is what compels you to pull back.

Wanda's lips leave yours with a wet sound, and she begins kissing down your jaw to your neck.

“Wanda, wait—”

“It’s okay, Y/N,” she says. Her breath is hot against your skin, and you feel her tongue trace a line up to your pulse point, leaving a fiery trail that makes you shiver. “You can claim your reward, you can have me.”

Her words snap you out of the haze, that single word—reward—ringing in your ears like a warning bell. You quickly place your hands on her shoulders, pushing her back gently but firmly.

Wanda blinks, confusion and hurt flashing in her eyes as she looks up at you. “What’s wrong?” She knows she’s attractive and has already glimpsed your desire for her during your visits, reading it in your thoughts. It’s why she finds your rejection so absurd—frustrating, even, given her openness.

“I'm not here for that,” you say, your voice coming out rougher than you intended.

“Then why are you here?”

You feel a blush creeping up your cheeks, unaccustomed to openly discussing your feelings. “I came to see how you're doing after... after the scepter.”

“I'm fine,” she answers flatly.

You nod, still feeling the residual heat of her closeness. “Do you feel any different?” you ask, partly out of concern but mostly to shift the conversation elsewhere.

“I'm just tired,” Wanda says, closing her eyes and running a hand through her tousled dark hair. “Can we do this tomorrow?” She sounds a bit let down, assuming you're here just for a routine check—looking for any new powers or changes—as if she had hoped for something more personal.

“I'm sorry,” you quickly say. “I’m not here on any official orders. In fact, I shouldn't even be here.”

This revelation softens her look, her eyes narrowing slightly with renewed interest.

Taking a deep breath, you continue, “I'm working on getting you and Pietro out of here. It's not set yet, but—”

“Out of here?” Wanda cuts in, her eyebrows knitting together in puzzlement. “Why would I want to leave?” 

“You got what you came for, right? The power of the scepter? Now you can leave. Hydra isn’t what you think,” you explain, trying to make her see the danger.

“Look who's acting all self-righteous all of a sudden. You've been here for years, and I've seen you do things,” she retorts sharply.

“Stop looking into my mind,” you snap, irritated by her knack for sifting through your thoughts without permission and using your past against you. Just because she can doesn’t mean she should.

“You’re saying I’m wrong?” she sneers.

You shake your head. “Look, I’m just trying to help—”

“If you really want to help, just do your job.”

Her words hit you harder than any physical blow could. You knew better than to let someone get this close, to allow your emotions to cloud your judgment. But there’s no one to blame here but yourself. Wanda didn't even have to do much to earn your solicitude; it was your own doing, your own need to make things right that led you here. 

Hydra’s training kicks in like second nature, and you shut down the emotions before they can show, your face hardening into a mask.

“Alright, Wanda. I'll do just that.”

-

It’s easier the second time you’re with Laura that night.

After Wanda's dismissal, you find Laura’s body to be the comfort you need. You lose yourself in her, the way she responds to every touch, every move you make. Pushing everything else from your mind, you focus solely on her, making her come again and again until she’s too bone-tired to do anything but black out beside you.

After it's over, you slip out of her bed, leaving her to sleep off the night’s weariness, and return to your room. You don't think about Wanda. Not even once.

In the following days, Wanda's recovery is swift—too swift for your level of clearance. Dr. List decides she’s beyond your oversight and assigns her to a higher clearance team. You’re left dealing with new recruits, volunteers who are eager yet naïve, none of whom survive the brutal exposure to the scepter. Each failure hardens you a little more, cements the necessity of detachment. 

But even with countless deaths on their hands, Hydra doesn't back down. If anything, they’re more driven now, hungry for more power, spurred on by the success of the twins. Pietro develops superhuman speed, a skill Hydra quickly puts to use by dispatching him to enemy territories for intel. Wanda’s abilities become more varied, showing signs of what could be categorized as psionic powers. She demonstrates capabilities that suggest telekinesis, manipulating objects without touching them, and telepathy—which she employs at her whim. 

Sometimes you wonder if she ever peeks into your mind anymore. But then, with the kind of power she wields, why would she even bother with what you're thinking? You're not special. Not even your badge, which doesn't get you into sections of the base without currying favor with Laura Brown first.

The Sokovian base is sprawling, and encounters with either of the Maximoff twins are rare but unavoidable. Pietro remembers your visit that night. Now and then, he nods at you politely. Wanda, on the other hand, acts as if you don’t exist. If you pass her in the hallways, she looks through you as if you're invisible. So, you make it a point to stay out of her way, blending into the dull walls and shadows as much as you can.

This detachment suits you in a way. It allows you to focus on your duties, on surviving one day at a time in an environment where the stakes are always high and the consequences often lethal.

It leaves you with nothing to lose, because there's no one left to lose.

-

Weeks pass quietly until rumors start floating around that Wanda's been seeing someone inside the complex. It’s hard to call it dating, really, since concepts like love and trust struggle to take root in a place as bleak as this. It’s probably just two people keeping each other company through the colder nights. Still, you can’t shake off how much this bothers you. 

But it's not surprising. The twins' popularity has only grown, especially since, months later, no one else has matched their extraordinary feat of surviving an Infinity Stone—a term you picked up only after Hydra discovered what was really behind Loki's scepter.

Sometimes, you find yourself observing Wanda from afar, trying to figure out if there’s any substance to the rumors. Who makes her laugh? Who does she choose to sit with at meals? The more you notice your own scrutiny, the more you recognize a feeling of jealousy stirring within you, an emotion that’s prevalent among your peers but not in this regard. You're bewildered and annoyed by your own reaction—why should who Wanda spends time with matter to you? Whatever she does, whoever she fucks—it's none of your business.

You hate this feeling, but you combat it by heading to Laura’s room every night, as if she’s the cure you need to keep yourself in check.

-

“They’ll betray us someday,” Lev murmurs as you both amble through the dense woods, taking a rare break from the base for a smoke. He breathes out slowly, watching the smoke curl upwards. You don’t have to ask to know he’s talking about the twins.

“No sooner than Hydra will throw us under the bus when the Avengers show up,” you reply, stepping around a fallen branch. “We’re all expendable. You know that, right?”

Lev takes a deep drag, his gaze fixed on the trail ahead. “Yeah, I know,” he says at last, releasing a plume of smoke. There’s something in his eyes, a look that tells you he’s not saying all he could about the twins.

You eye him suspiciously. “There’s something you’re not telling me.”

Lev glances at you, the corner of his mouth twitching as if he's deciding how much to share. After a moment, he nods.

“Okay, I wasn't planning on telling you this yet, but I've been handed a special assignment—the Maximoff Contingency Plan,” he reveals.

You scoff at him. “You’re the contingency plan?” 

“No, not just me,” Lev chuckles darkly as he tosses his cigarette to the ground and stomps it out. “I'm involved, but it's more than that. We're working on a weapon, one that borrows from the tech of the Infinity Stone.”

The seriousness of what he's saying sinks in. Leveraging the power of an Infinity Stone means they're not messing around.

“And what's this weapon supposed to do?” you ask, not sure if you want to hear the answer.

Lev’s expression darkens. “You know what weapons are supposed to do,” he says tersely, turning to head back. “Let’s go.”

Hydra does not tolerate treachery. Even the mildest punishment is a swift death—a quick end, but an end all the same.

-

It’s only a matter of time before the Avengers find the Sokovian Base. Tensions had been mounting and Hydra's movements had become increasingly aggressive, drawing unwanted attention. When it all goes down, you’re in your room, scrambling to suit up and arm yourself with pistols—not to confront the Avengers, who are essentially gods, but to fight for your way out.

As the base descends into turmoil, you hear that Wanda and Pietro are attempting to escape. Hydra has a ruthless protocol for such situations: eliminate the entire unit to prevent any leaks. It's cleaner to destroy and rebuild than to let loose ends compromise the organization. Knowing about the contingency plan to eliminate the twins, you grab your radio and contact Lev, asking where he is.

“You’re just in time. I need backup. I've got Wanda Maximoff in my sights, waiting for the right moment to take her down,” he radios back.

“On it, I’m with you,” you reply, feeling the sweat bead on your forehead as you move toward his location. When you get there, you find Lev, poised and ready, his eyes fixed on the target through the scope of his rifle. You scan the surroundings, looking for hazards until you spot Wanda among the debris. Iron Man's missiles have turned the area into a deadly maze of flying rocks. From her fingertips, streams of red magic swirl, skillfully steering the massive boulders away from crushing both Hydra agents and civilians.

Wanda isn’t trying to escape—she’s helping fend them off. Seeing her save these lives, something inside you breaks. Lev has his rifle aimed at her, ready to pull the trigger while she's busy playing the hero. The possible outcomes flash through your mind: Wanda dead or imprisoned by the Avengers. The thought is unbearable. You've spent months pretending you didn't care, but now, faced with the reality of losing her, you realize all you want is for her to live, to be free—something you've long given up for yourself.

You're about to dissuade Lev, to argue her worth, her potential, anything to stall, when an explosion nearby startles Wanda. She turns, momentarily distracted, and Lev's finger tightens on the trigger, ready to end it all.

But you're faster.

He collapses with a shocked gasp, the life leaving his eyes as he hits the ground. The noise of his body falling draws Wanda’s attention. She turns just in time to see what you've done—for her. Her eyes, wide and questioning, boring into yours.

Why did you save me? They seem to ask you, those green orbs that have hunted you ever since you looked into them. There's no time for lengthy explanations—not that you have a solid one anyway. But with each passing second, the chance of escaping undetected by these so-called superheroes dwindles.

“You need to leave, now!” you yell at her, but she doesn't budge. Instead, she looks at you, really looks at you, for the first time with something other than disdain. It’s the same look she gave you the night the scepter awakened her powers. It’s a look that tells you that maybe she’s been pretending too, these past few months.

You’re about to sprint toward her, to drag her to safety if you have to, when a blur of motion sweeps her away. Pietro appears out of nowhere, whisking them both out of the base before the Avengers close in. 

For a second, you're left standing there, surrounded by the wreckage and the friend you just betrayed and killed. There's no time to grieve, no time to second-guess leaving his body behind—it's pure instinct that forces you to move quickly. You head towards an exit known only to the most important figures of the organization, a piece of information you picked up from Laura. She wouldn’t have given it away if you weren’t frequently sleeping together, those personal liaisons caused by trying to forget Wanda.  

It’s strange, in a way, how you both just ended up saving each other.

-

Several weeks after the Avengers demolish the Sokovian base, Wanda finds you at a small cabin you own on the outskirts of Novi Grad. The modest structure sits on a 2-acre plot near the woods—a spot you picked up when your stint in Sokovia stretched past thirteen months. You never really planned on settling here; you thought you’d be moved to another location and sell this land at a profit eventually. But life, it seems, had other plans.

You’re chopping wood beside the cabin when you feel her presence. Dropping the axe, you straighten up and spot her at the edge of the clearing. Your eyes quickly sweep her surroundings for any sign of Pietro, but it appears she has come alone.

“Why did you do it?” she asks once she's close enough. You take a few moments to take her in, hardly believing she's actually here, and touched by the thought that she sought you out. You've missed her presence, even though the last few months have only found you both inhabiting the same compound, breathing the same air but never speaking. 

Sometimes, lying in bed at night, you wonder why you can’t shake Wanda from your thoughts. You’ve even entertained the idea that she might have hexed you, that her magic has somehow ensnared your mind and… maybe your heart. It seems like the only logical explanation, because since the day you met, Wanda has never really left your mind.

“I did what I thought was right,” you finally answer, tucking your hands inside your pockets, not knowing what else to do with them.

“He was your friend,” Wanda points out softly. 

Your lips curl into a strained smile; of course, she’d know. She knows things about you that you'd never voice out loud. Wanda’s ability to read minds makes hiding anything impossible. Does she understand how deeply you care for her? She must. Wanda has always seen right through you, so why does she need to ask?

“Did you ever think about me after that night?” she asks out of nowhere. The night the Infinity Stone changed everything, when you were closer to her than you’d ever been before.

You're taken aback by her directness. This, too, she probably knows the answer to because you've thought of little else. 

“Everyday,” you say.

That night, you invite her to your home, the first person ever to share the space you once believed would always be just yours. Your living room is snug, with a three-seater couch and a medium-sized TV mounted on the wall. There’s also a fireplace that lights up the space with an amber glow as you hand Wanda a cup of hot chocolate.

You and Wanda find yourselves chatting about lighter topics. She shares her favorite shows from childhood, and you're surprised to learn she’s a big fan of American sitcoms. You enjoyed them too when you were younger, but not to the extent that you'd watch entire seasons over and over like Wanda did. Your preference leaned more toward books, gobbling up Agatha Christie novels when you were younger.

While you're in the middle of sharing a particularly funny memory from one of those old sitcom episodes, Wanda suddenly leans in and kisses you. Though your first instinct is to dive back into the kiss, you pull back instead. The last time you were this close, things escalated quickly before they crashed and burned.

“Are you sure?” you ask, searching her eyes for an answer. Learning from past mistakes, you want to make sure it's what she really wants.

She nods, her eyes steady and invitingly dark. “I’m sure.”

You close the distance between you, kissing her to your heart’s content. Before long, clothes are discarded, and you move from the couch to the bed, leisurely exploring each other, discovering how to bring one another to new heights of pleasure. 

As you lie next to her afterward, breathless and tangled in the sheets, you realize there’s no way to pretend anymore—you care too much to go back.

-

The quiet doesn’t last long. 

Tony Stark’s experiment goes awry, giving rise to Ultron—a global threat with ambitions that soon become clear. It seeks to bring about what he perceives as peace, by any means necessary. And just when you thought you and Wanda might have found some peace, she tells you she’s joining Ultron.

“It’s too dangerous,” you tell her. The twins and a robot against the entire Avengers team? The numbers alone put the odds against them. “We can stay here, help the people around us, and actually make a real difference.”

She shakes her head, her jaw set. “You don’t get it,” she argues. “You never will. You’re not…”

Special. Go ahead, Wanda, say it. Say what you really think of me.

“...you don’t have powers. You don’t know what it’s like to be able to change things and then just stand by, powerless.”

You were bracing for it, but it hurts all the same.

“So what am I then, Wanda? Just a bystander? Someone not worth listening to because I don't have powers?”

“I’m saying I have to do this,” Wanda mutters solemnly. “I’m the only one who can do this.”

You can see in her eyes that she’s already made up her mind. You’re still racking up your brain for something that might make a difference but she speaks again.

“I’m doing this for Sokovia,” she says quietly. “For everyone who's suffered because of Stark.”

You say nothing. Her fierce loyalty is one of the things you adore about her.

Wanda steps closer, her hand reaching out to touch your face, her thumb tracing the line of your jaw. “I’ll come back,” she promises. “When this is over, I’ll come back to you.”

You nod, resigned to the reality that you must let her go. “I’ll be here,” you say, your voice thick with regret that you can’t do more to protect her, to make sure she’s safe. “Waiting for you, right here.”

-

Pietro Maximoff dies riddled with bullet wounds—over a dozen of them. You learn the details of his death through a tabloid, days after witnessing Novi Grad being torn from the ground. 

A week later, Wanda comes back to you, just as she promised, but she’s not the same. The light in her eyes is gone, replaced by a ghostly void. It’s a look you know all too well, the same one you’ve seen staring back at you in the mirror for years.

A loss of purpose.

In the days that follow, you try to restore some normalcy, but nothing feels right. You cook meals she barely touches, sit beside her during long stretches of silence, and listen when she occasionally finds the strength to talk. It's tough, seeing her struggle, but you stay by her side, hoping things will begin to heal.

But they don’t.

Every day, you see it—the guilt, the pain, the loss. She tries to find reasons to keep going, but nothing seems to hold. And as much as you want to be the one to help her, to pull her out of this darkness, you know you're not enough. Not this time.

Wanda is adrift, and no matter how hard you try, you can’t anchor her to this life you’re trying to build. She’s lost her brother, her home, and whatever sense of justice she thought she could achieve by joining Ultron. And you—you’ve been running from your past for so long, and you’re simply tired of it.

You start thinking about what’s best for her, about what she needs to move on and find a new purpose. Deep down, you recognize that maybe the best way for her to truly heal is if you step aside.

-

Like Wanda, you don’t trust Stark. So, with the skills you’ve honed during your time with Hydra, you manage to find a way to contact Steve Rogers instead.

The conversation happens one afternoon, over a phone call. You tell him everything—your past with Hydra, the things you’ve done, and why you’re ready to turn yourself in. He listens without interrupting, letting you confess everything. You mention that Wanda's with you, and make it clear this isn't about trying to reclaim some lost sense of patriotism. You're doing it for her.

“You did the right thing by coming to me,” Steve says when you finish. “Wanda has so much potential. She deserves a chance to become who she’s meant to be.”

“I know,” you reply, your voice dropping to a whisper. You’ve known it all along, perhaps better than anyone. It’s why you’re doing this, even though it feels like tearing yourself apart.

Over the course of the conversation, you and Steve work out an agreement. You’ll serve a reduced sentence in exchange for all the intel you have on the remaining Hydra heads still out there. You’ll act as an informant, helping to bring them to an end, once and for all. And maybe, after you’ve paid your dues, there’ll be a chance for you to live something close to a normal life. When the call ends, you're washed over with a feeling of real freedom, despite knowing it might cost you Wanda all over again.

Later that night, you find Wanda in the kitchen, stirring a pot and humming a tune you don't recognize, looking more alive than she has in weeks. Seeing her like this is bittersweet; she’s here, but soon, you might not be.

She notices you and gives a small, relieved smile. “You’re back,” she says.

“Yeah, I had a craving for this specific brand of red wine…” You say, tossing out a casual lie since you did swing by the grocery store, and errands are a regular part of your routine.

“Red wine?” Wanda perks up. “Perfect, I’m just about done with dinner. It should pair nicely.”

The kitchen smells foreign but amazing, and you can't help but compliment her. “It smells incredible in here,” you say as you start setting the table. 

Wanda smiles softly as she turns down the stove and grabs a bowl to serve. You set out two wine glasses and place them on the table.

You pour a generous amount of red wine into each glass and watch as Wanda carries the meal over. 

“Thanks for dinner,” you say with genuine appreciation.

“Try it and tell me what you think,” she urges, her lower lip caught between her teeth as she watches you with anticipation.

You take a bite, the flavors unique and perfectly blended. Looking up, you see her watching you, eager for your reaction.

“Well?” she asks impatiently.

You laugh, then wipe the corners of your mouth with your thumb. “Don't you already know?” you tease, hinting at her telepathic abilities.

Wanda pretends to be offended, crossing her arms. “I haven’t read your mind in a long time.”

You can’t help but be a little skeptical of her claim. “Since when?”

Wanda blinks, her gaze veering away as she hesitates, clearly not eager to revisit the memory. 

You give her a gentle nudge, mimicking her earlier prodding “Well?”

Wanda turns to face you, her bottom lip pushed out slightly in a pout. “Since I saw you were sleeping with the director’s daughter.”

Saw? Did she see everything I did with Laura? The thought that Wanda witnessed it all like a scene playing out in front of her makes your stomach twist. You blush, mortified. “I’m sorry you had to see that,” you mumble, looking away.

Wanda shakes her head, trying to dispel her lingering jealousy. “I shouldn't have been peering into your head that much to begin with,” she says softly.

Your ears catch on a particular phrase. “‘That much’?” 

It’s Wanda’s turn to blush, her cheeks flushing deeper as she quickly downs the rest of her wine and then holds out her glass for a refill. Deciding to show some mercy, you pour her another glass without prying further. The conversation stalls into an awkward silence until you finally decide to break it by giving your verdict on the dinner.

“By the way, this is delicious,” you say, adding another serving to your plate.

Wanda's face lights up, her smile stretching so wide that she looks almost like a giddy child. But then, she is young. You can’t help but imagine how she'll fit in with them. Steve, in particular, seems like he’d be good for her. Even though you don't know him well, that one phone call was enough to get a sense of his character and leadership. He seems like the kind of guy who'd really look out for Wanda, in ways you can't.

“Are you doing anything tomorrow?” Wanda suddenly asks.

Your smile falls a little, but you manage to keep it there. You wish she could read your mind now, that she could understand the choices you’ve made today better than you could ever explain them. You’re not abandoning her—you’re setting her free from this life. You've done too many unspeakable things to ever truly deserve a quiet life with her. Eventually, your past will catch up to you, and the opportunity for Wanda to do something good might slip away if she’s still tied to you. You wish she could see how much you care for her, how much she’s changed you. Because of her, you’ve felt the desire to be good again, to be human again. To open yourself not just to grief, but also to love.

You wish—

“Maybe we can visit that lake you mentioned? I've spent my whole life in Sokovia but never really left Novi Grad,” Wanda suggests.

“Rain check?” you say, trying your best to sound like tomorrow isn’t goodbye. Steve wanted to move quickly, and you’ll be expecting him and a small squad tomorrow, no later than noon. “I’m thinking I might just stay in, catch up on some reading.”

Wanda cocks her head, a puzzled look on her face. You’ve been the one pushing her to get out of the cabin more, so your answer isn’t what she’s expecting. But she likes the idea. She just wants to spend time with you. The hole Pietro left in her heart is only bearable when she’s with you.

“Okay,” she mumbles, starting to clear the dishes. You place a hand over hers, silently telling her you’ll take care of it later. Leaning in, you plant a soft kiss on her lips.

“You want to go to bed early?” you whisper quietly, tucking a strand of hair behind her ear. 

She looks up at you, a playful gasp escaping her lips. 

“Just to sleep,” you add quickly. I just want to hold you all night, one last time.

“I might not be sleepy right off the bat, maybe if you tire me out—”

“Naughty,” you chuckle softly, giving her nose a gentle tap.

“You love it.”

“I—” Love you. You want to say it, but you don’t want to make it harder for you both when the time comes.

Without another word, you grab her hand, holding on to this moment, to her, for as long as you can.

[adorkastock]

So I don't know who to ask about this, and since it's your profession, I figured you'd know most! I like to use Magic Poser to help me draw my characters' poses, but I feel like I always wind up altering the proportions to fit the models rather than my style without meaning to just because I'm drawing what I'm looking at. It feels less like looking at a reference and more copying a picture, and it makes me feel really bad, like I'm cheating at art. Do you have any thoughts or word of advice on this? I'd greatly appreciate it. Thanks!

Hey Nonnie! Hmmm there's I feel like kind of two questions here. One, using Magic Poser or any other legit reference to make your art is not cheating. It's just using a tool the way it's meant to be used (as a reference). There's nothing at all wrong with that. ♥ However, if you are getting Not The Results You Want from this process that's another issue entirely. So, two: what do I do if the art I'm making from reference doesn't look like *my* art? If you find that working from a reference is changing your style in ways you don't like, I have suggestions: 1) do a sketch from the reference just like you normally would in whatever style comes out naturally using the reference 2) look at the drawing you did and put the reference away 3) draw another drawing from the drawing you did but try to make adjustments towards the stylization you prefer (your first drawing is your reference for your second) OR, if your brain will do this for you: 3b) after sketching from the reference (maybe a few times for good measure) put the reference away completely and try to draw the pose from memory* and see what happens. If you think you're overly reliant on references to the point you think it's holding you back then you can start to wean yourself off of them but doing more and more drawing without them. Maybe start with a 20min warm-up on my Sketch App drawing a bunch of poses really fast from reference, then pull up a new pose, look at it, and try to draw it without checking back in at all. Honestly the best way to get to a style you like is to just draw A LOT. Draw lots of different ways. Mess around with line weight and shapes. Make things swish, make them pointy, make lines that cross over a lot, make a mess, make it neat, keep going. Do a lot of drawing and investigate what feels and looks right to you. And if a tool isn't serving your goals, you can let it go. It might be hard at first but you will find your way. ♥ * Side note: I have aphantasia which means I don't have head pictures. If I look at a reference and walk into the other room, I am not going to be able to replicated it very well from memory. That being said, if I sketch a pose over and over and over a bunch I will retain it somehow, somewhere (I don't know how brains work). The next time I go to draw that pose it will be easier. Just popping this in here in case you have the same trouble.

[utterlyotterlyx]

Can I request something where Azriel has to pick up Nyx from school one day and thinks his teacher is cute & is very flirty with her?

Yes! Love this idea so much!

When I Kissed The Teacher

Azriel x Fem!Reader

Summary - Feyre loves Nyx's teacher but loves playing matchmaker even more. After sending Azriel to collect Nyx from school one day after feigning a studio related emergency, she's very happy to learn that Azriel's affections are completely in the palm of your hand.

Warnings - none really, just cuteness all round

Feyre had always been worried about sending Nyx off to school, even though she believed Rhys when he told her that the schools of Velaris were the best in Prythian, she couldn't help but feel anxious that he wouldn't thrive.

Then she met you, and all of her worries faded away.

You were everything Feyre wanted in a teacher for her child, it had taken a lot of weight throwing to get him into your class, it was full to the brim of children from higher born families, only wanting the best for their offspring. Feyre wasn't even surprised.

It was clear how much you cared about your children, in nurturing them into intelligently creative creatures. Other teachers focused solely on the academics, but you had a passion for the arts, you said creativity helped children to find their passions and grow into more compassionate and joyful souls.

Nyx had run into her arms when she had come to collect him that first day, babbling on about what a wonderful time he had with you. Miss Y/L/N. Feyre had never seen such wonderment in his eyes when he told her in that broken infant language how great you were. Everyone's worries about Nyx becoming a shell had vanished.

The little thing had returned home with paintings, reciting poetry from your favourite passages; he had the desire to read, making different voices for the different characters like he had learned from you. Nyx was well and truly flourishing.

Feyre had insisted that you walk home with them one afternoon, since you only lived five minutes from the River House and it was on your route home anyway. From that walk, Feyre had learned much about you, that you were from Spring but left after being disowned by your family for wanting more from life than being married away to be used as a breeding tool. After that you had travelled the continent, making many friends along the way and opening your mind to the world before settling in Hewn City, only to be brought to Velaris on Rhys' orders because he had heard of your talents and passion and wanted it taking root in the children of his city.

The more you spoke, rambling on about art and books and theatre, did Feyre come to the realisation that a certain someone would be absolutely besotted with you. When you had hugged Nyx goodbye, ruffling his hair and telling him you'd see him in the morning, did Feyre begin to hatch her plan.

Azriel wasn't one for sunshine and rainbows, but even he had to admit that Nyx's and Feyre's gushings about you had him intrigued, even Rhys had commented on how sweet you were, seemingly very fond of how Nyx was excelling under your wing.

"Az, would you mind grabbing Nyx today? I have to head to the studio, delivery emergency," Feyre floated past him toward the door, a thin cloak fitted around her shoulders to protect her from the afternoon summer breeze that drifted along the Sidra.

"Uh, yeah. Sure," he waved Feyre from the house as she dashed down the path shouting over her shoulder what time to be at the school for.

The sun was beginning to dip in the sky but warmth still flew through Velaris, Azriel walked along the winding paths and up the hill to the school, the skittering sound of children's laughter filling his ears as he approached. Parents parted as he walked down the cobbled stone path, not wanting to graze against his wings with slight unease in their eyes. Azriel was used to it by now, the looks of disapproval, the slight fear in the people he passed.

The bell rang and birds shot to perch on the branches of the trees that surrounded the plush gardens teeming with bright flowers and wildlife. Children began to file out from the open door, grabbing their bags and running to their parents with wide smiles, excited to tell them what you had taught them that day.

Azriel spied the inside wall littered will paintings and cards, all addressed to you, as well as a wooden table filled with the gifts the children had no doubt made their parents purchase for you.

Then he saw you, and the Shadowsinger audibly gasped. There you were, dressed in a loose white blouse with stringed corset, an earthy brown skirt that fell to the floor covered in colourful handprints that reached your thighs, your hair was unbound and baby hairs whispered along the sides of your face.

You were sunshine. You were radiant.

Nyx's hand was curled in your own as you led him out of the classroom and Azriel could have sworn he'd never seen a brighter look on anyone's face as the little man searched the crowd, "Uncle, Az!"

Your gaze had also fallen on him and you drank in his smile as Nyx left your grip and hurtled to the Shadowsinger, his grin was large, showing off all of his teeth as he bent down and wrapped Nyx in his toned arms, laughing loudly and asking about his day before standing up.

"I don't think we've ever formally met," you held your free hand out, your other carrying Nyx's bag, "I'm Y/N, well, Miss Y/L/N."

You were as soft as summer rain, adoration in your orbs, and you radiated purity and grace. Azriel glanced at your outstretched hand, sliding his own into it and feeling a force of gravity will him closer to you, "So you're the one that has Nyx ready for school at the crack of dawn," he felt relief when you didn't recoil at his hand in yours, the hands that usually made people grimace, "Azriel," you giggled softly, tucking a strand of hair behind your pointed ear.

High Fae.

"Guilty as charged," your voice was like butter, smooth and rich, the perfect balance of femineity.

"Can't say I blame him," he smirked at the heat that rose to his cheeks, at the sheepish smile that tugged at your lips.

"That's very nice of you to say," one of your students walked past you, waving goodbye, and Azriel watched you bend down and fix her jacket to her body, telling her to have a lovely weekend in the sun, "Nyx has had a lovely day today. He just keeps on flourishing, it's remarkable," you had told him once you had risen again.

"I'm sure anyone could flourish with you around. Must be the Y/N effect," he cocked his head to the side at your giggle, just happy to be able to examine the woman who had Nyx all excited every morning. Feyre and Rhys were right, you were remarkable. Like a rainbow rippling in a storm.

"Must be it," the birds jumped from branch to branch around you, like they wanted to keep an eye on you for as long as possible, flitting to the bird houses you had erected by the pond of ducks and in the trees.

"Would you like to walk home with us? Feyre mentioned that you didn't live too far from the house?"

Your mouth fell into the perfect o shape, "Oh, I wouldn't want to impose-"

"You're not," Azriel smiled, looking down at Nyx, shaking his little hand and asking, "Is she, Nyx? Would you like Miss Y/L/N to walk home with us?"

"Yes!" Nyx shouted and you laughed, a laugh that made the edges of your eyes crinkle, you disappeared into the building, returning a few moments later with you satchel, locking the door and taking Nyx's free hand in your own after handing his bag to Azriel.

Azriel was positive that he'd never seen Nyx shine so brightly.

The walk home was full of light chatter, you made Azriel laugh more times than you could count, and Nyx was pointing out random things along the way, looking up at you for approval and tapping his feet on the ground when you nodded and smiled.

From the house, Feyre watched through the curtains as Nyx ran up the path, and kept watching as Azriel lingered behind, she wished she could hear what he was saying to you. But as you smiled, and blushed, and then nodded at the Shadowsinger who was kicking his feet like a schoolboy, she knew it was going well.

Strong arms wrapped around her midsection and her back hit a hard chest, his deep chuckle vibrated through him and his warm breath fanned against her ear, "Playing matchmaker again, darling?"

Feyre hummed with a gentle smile, accepting the peppering kisses over her shoulder as she watched you walk away, looking back at Azriel and waving before turning the corner, "I think this is my best one yet," she told Rhys, noticing the pursed smile on Azriel's lips and the faint pink tinge to his complexion as he followed Nyx up the path.

"I'm inclined to agree."

SO CUTE!

Thank you for the request! x

[kierongillen]

General Player Advice For RPGs

I published this in my newsletter here a while back, and discourse reminded me I wanted to put it more public. I probably should get around to actually doing a proper blog for this kind of stuff. You can sign up to the newsletter here.

One of the things which I’ve been chewing over since getting back into RPGs is that there’s so much advice for GMs and so little advice for players. I keep thinking over why - though the whys aren’t what I’m about to write about. However, some other folk think any worthwhile advice is system/genre specific.

This got me chewing over whether I agree with that. As the list below shows, I don’t.

The first four are ones where I think I succeeded, and as principles generally guide you towards better play no matter what game you’re playing. The last three are mainly applicable to games with a significant story component (the last especially). There’s a few more I played with, but they were more about being a good at the table generally – about being a better player in any game rather than specifically about role-playing games. I also avoided ones which were more GM-and-player advice rather than just player advice (if there’s a problem in game, communicate out of game, use appropriate safety tools, etc).

I also didn’t include “Buy The GM Stuff”.

Anyway – here they are. See what you think.

GENERAL PLAYER PRINCIPLES FOR BETTER PLAY

1) Make choices that support the table’s creative goals

If you’re playing a storygame, don’t treat it like a tactical wargame. If you’re playing a tactical wargame, don’t treat it like a storygame. If it’s bleak horror, don’t make jokes. If you’re in a camp cosy romp, don’t bring in horror. It also varies from moment to moment – if someone’s scene is sincere, don’t undercut it.

2) Be A Fan of The Other Characters

This is GM advice in almost all Powered By the Apocalypse games – for the GM to be a fan of the characters. It’s a good trait for a player to cultivate. Be actively excited and interested in the other characters’ triumphs and disasters. Cheer them on. Feel for them. Players being excited for other players always makes the game better. Players turning off until it’s their turn always makes it worse.

3) Be aware of the amount of spotlight time you’re taking

This is a hard one for fellow ADHD-ers, but have an awareness of who is speaking more and who is speaking less. A standard GM skill is moving spotlight time around to players who have had less time. Really good players do this too. Pass the ball.

4) Learn what rules apply to you, to smooth the game, not derail it.

To stress, this isn’t “come to the table knowing everything” but learning the rules that are relevant to your character along the way, especially if they are marginal (looking at you, Grappling and Alchemy rules). Doing otherwise adds to the facilitator’s cognitive load and hurts the game’s flow. The flip is being aware that knowing stuff isn’t an excuse to break the game’s flow with a rules debate either – that’s an extension of the third principle.

5) Make choices which support other characters’ reality

If someone’s playing a scary bastard, treat them like a scary bastard. If they’re meant to be the leader, have your character treat them like the leader , for better or worse. A fictional reality is shared, and you construct it together.

6) Ensure The Group Understands Who Your Character Is

This is the flip of the above – having a character conception that is clear enough that everyone gets who you are, what you want to do and how you want to do it. If you don’t, the table will be incapable of supporting your choices. This links to…

7) If asked a preference in a story game, a strong choice is almost always better than a middling choice.

Don’t equivocate. If asked “You’ve met this person before. How do you feel about him?” either “I love him” or “I hate him” is better than anything middling. The exception is if it’s something you’re really not interested in pursuing.

[bhaalble]

Back on my Wyll script doctor because I was talking about it with a friend. Specifically imagining a version of Wyll's big Character Choice that felt like it had some actual teeth.

Imagine a world where instead of a cartoon evil hot lady Mizora and Wyll's relationship actually had some complexity to it and like. some genuine push and pull which gives him temptation to stay. I just keep thinking about this 17 year old who his whole life wanted more than anything to be a hero, who got his chance to do something heroic and selfless and save the city from certain doom, and his reward is getting kicked out because he did it the "wrong way".

Imagine if instead of forcing his silence, Mizora instead comforted him. How unbelievably cruel of your father! Well...since you've nowhere else to go, why not stick with me? We make a pretty good team, as it turns out, and I can get you a whole list of monsters who need killing. Plenty of devils and demons loose in your world targetting all sorts of innocents. Our interests can keep aligning, and you get a place to sleep when you need it.

Wyll makes his peace with it, because he has nothing and no one. And Mizora's not GOOD maybe, not by Ulder Ravengard's definition. But she's fun. She delights in his growth. And she does certainly keep direct him at greater evils, devils who really do need killing. And if she spies on his every waking moment, well, she worries. If she sends him after the occasional innocent, well, she had people who she has to answer to as well. She's a devil, how much can he fault her for her nature? She's always seemed like she knew where the line was...

Karlach (and the player) express their doubts, of course, but for act one at least he's defensive. Yes, she punished him and he hates it and its miserable but....he was in breach of contract! She's NEVER gone outside its bounds, she's always stuck very closely to their agreement. Wyll, who wants so badly to trust others and believe everyone has the chance for good, can't find it in him to believe the worst even of a devil.

And Mizora is FOND of Wyll, loves him even in her way. As a cherished pet, as a trusted tool, as a best-laid plan. Never enough to choose his own well-being over her own agenda, never enough to see him as his own person. He's her little project, the long shot noble brat she gambled on when Tiamat decided to get too big for her britches. And it paid off! Wyll always pays off, currying her all the favor from Zariel she so desperately craves. And who are you, or anyone, to come between them? She's treated him well. As she's quick to remind him, she wanted him when no one else did, aided him while the rest of his city slept snug in their beds. And if Ulder Ravengard didn't want a son with a whiff of infernal, then do you REALLY think he'd want you with lovely horns and Avernus in your blood?

You discover his father's been taken. Beyond igniting a lot of old feelings, it brings up a question of succession. Of course, Florrick isnt giving up on him, but if not...there aren't currently any likely candidates to take over the Flaming Fists. Not trustworthy ones. Florrick will take the position, but everyone knows in the back of his mind Ulder never really stopped planning for it to be Wyll. With the city in chaos and a cult army on the rise, they may need an answer sooner rather than later. Wyll feels the call of the Gate, but knows just as well that Mizora wouldn't want him to return in such an official capacity.

For the first time ever the leash starts to chafe in a way he can't keep pushing through.

Act 2 rolls around. Mizora sends up the Warlock signal. After potentially some encouragement from the player, Wyll (NOT THE PLAYER. I DONT KNOW WHY ITS THE PLAYER IN THE GAME ITS WEIRD) hesitantly proposes that maybe, if he does this....they can do a renegotiation of his contract. Not break it, he assures her quickly! Just....reopen the terms, take a looks at the agreement. Maybe discuss an exit ramp? After all....I mean, neither of us truly thought I'd be doing this forever, did we?

Based on Mizora's reaction. Yeah she did.

But fine. She agrees. And Wyll's not mad that it turns out you're rescuing her, not a nameless "operative" for Zariel. He would've done that on his own had she asked. Its the fact that she apparently didn't feel like being honest, that she let him fret and worry about potentially handing Zariel back some runaway for basically no reason. Its the fact that she came here to check in on the cult that abducted his FATHER just to see if Zariel could make any use of them. And its the fact that she seems surprised and annoyed that ANY of this bothers him.

All this builds, of course, to the final confrontation. The basic elements are the same. Mizora outside the coronation (this time needling at Wyll, "I'll be at camp if you're not too high and mighty to consort with the likes of me anymore"), Ulder tadpoled and fighting it. Mizora makes her offer. I can end the contract now, and you're free to go running after daddy (who won't want you btw! not like I do!). You'll lose all your powers, all my aid, all those juicy quests to chase down the greatest monsters in the hells. Take on your father's job and settle in for a life of misery and compromise and only doing as much good as the nobles will let you. Or: pledge yourself to me, eternally. I'll give you a boatload of new powers and eternal life to boot, so long as you serve as my sword and shield.

From there I think three endings branch out, and with it three classes for Wyll. If he stays with Mizora, accepts a relationship where he will never be an equal or a free agent in exchange for the affirmation he wants so badly from his father, he remains a Warlock, with some juiced stats and extra spell slots, along with shiny new gear. If he pledges to follow in his father's footsteps, he instead becomes an Oath of Devotion paladin, pledging himself in service to Tyr, if with a sense of doomed finality. The Blade of Frontiers is officially retired, and along with it any identity he has outside of being his father's son. Or the third path, break the contract without taking his father's role. He will look for his father, yes, but whether or not you find him he's going back to his roots, travelling around to do some good in the world (as the Blade of Frontiers) or kicking ass in the Hells with Karlach (as the Blade of Avernus). In this timeline he becomes a fighter, with a default preference for Eldritch Knight.

What's important: if he breaks his contract then Mizora is NOT hanging around camp. She will leave in a fury, accidentally bound by her own word to withdraw her influence completely if he breaks his contract. She may still approach the player some night to sleep with the player, framed for high approval/romanced players and her trying to take something back from Wyll. But Wyll will have to learn how to define himself without her breathing down his neck, without keeping her happy dominating his every thought. Its nervewracking, and even lonesome at times...but its freedom. And, perhaps, that's worth a little bit of lonesomeness.

[preqwells]

cw: 18+, afab, fingering, p in v, read part 1 of mechanic konig here

mechanic! konig would definitely become clingy after what you thought was your one-night stand.

staying true to his word, your new lovely mechanic named könig followed through with teaching you the basics of a car. how to check the dipstick that was in your oil tank so you'd know when you needed an oil change, checking the tire pressure so you didn't find yourself in a situation you didn't want to end up in-- he was thorough, diligent-- he found himself caring more than usual as he explained these things to you. "so, when it gets to this mark?" you softly inquired, pressing your fingernail to the mark you assumed he had pointed to. "no, maus-- here. if you base it off where you just pointed, well… good luck." he mumbled, a tinge of amusement in his tone. he kept his thick digit on the dipstick, slick oil making his index finger glisten under the sun. you attempted to train your brain to think of anything but what it wanted to think, honestly. you let out another sheepish chuckle, nodding obediently at any pointers he was kind enough to give you.

call it luck or fate, but könig didn't have the serpentine belt you so desperately needed to have installed in your car to get to work tomorrow. könig felt a hint of excitement-- this meant you needed a ride home, right? könig was kind enough to offer you a ride… well, an actual ride which you vehemently refused at first. you had never been one to ask favors of others, certainly not a stranger you just met even if your conscience screamed at you to do otherwise. "i can't-- i can't cover any additional costs…" you admitted, your voice barely above a whisper as your eyes fell to the ground out of embarrassment. your helplessness was cute-- the pout that tugged at the fullness of your lips, your shy demeanor-- how had he gone so long without seeing such a sweetheart around town? "nein, it won't cut into what you already owe me. it'll be cheaper taking a ride from me than getting an uber, anyways." he insisted, catching onto the way you previously mentioned cutting back on expenses. you couldn't argue with him-- or more like, you didn't want to.

during the car ride home, könig would sneak glances at you-- whether it be at red lights or when he turned the corner. he couldn't help the way his eyes would roam your figure, and you even caught glimpses of his lingering gaze. you weren't stupid, and neither was he-- the tension was palpable, almost tangible. he guided you to your door, his hand splayed across the small of your back, thick digits bracing you. "um… well, thanks-- for everything." you quickly got out, wanting the interaction to be over so you wouldn't make a fool out of yourself. everything felt so intimate-- the way he touched you, stole glances at you-- it felt out of character for you since you had only known him maybe for half the day. könig remained quiet for a moment, drinking in every reaction you had. your head tilted upward, looking up at him through your lashes as he kept your gaze. the atmosphere suddenly felt thick, intense. "no problem. couldn't let you go home without knowing you were safe." his voice dropped an octave, his head dipping lower to insert himself in your personal bubble. your breath hitched as you nodded, opening the door as his forearms leaned against the doorframe, the heavy tools on his belt exposing a sliver of skin along with a tuft of hair right above his groin.

"well… i'm safe." "are you?" "mhm." "how're you gonna get back to my shop tomorrow?"

your brain short-circuited at the heady mix of the bluntness of his words and his stature, your mouth slightly agape. he let out a low chuckle before his index finger found the belt loop of your pants, pulling you into his space. you mumbled out a weak 'i dunno'-- that answer wasn't good enough for him. "… i could stay the night… won't cut into what you already owe me, maus." he reiterated his earlier point, the boldness of his words coated in mirth. his face was brought closer to your own, his black lashes hanging low over his eyes. your hands found purchase on his biceps before his lips brushed against yours, putting a silence to any lingering tension from earlier as your eyes fluttered closed. he put every ounce of being into the kiss-- hell, he wished you could've broken your serpentine belt earlier if it meant a pretty thing like you could've stepped into his shop sooner than you did. he backed you into your apartment, his hand closing the door hurriedly. "fuck-- you just had to walk into my shop, didn't you?" he gruffed out between kisses, annoyed at the feeling of how quickly he already found himself half-hard.

you parted your lips to squeak out a half-hearted apology before könig used this opportunity to slide his tongue into your mouth, coaxing a sweet moan from you which elicited a wicked grin from könig. könig led you into your bedroom, gently placing you at the head of the bed as his teeth nipped at every area of skin he could think of-- your neck, your collarbone, underneath your breast when he managed to get your shirt off. the whines and whimpers that escaped you only urged him to continue, didn't you know? stupid of you, really-- to think you weren't going to end the night with his fingers readying you to split you open on his heavy cock. his head lolled back when he did eventually find his length rubbing snugly against the slickness of your walls, your eyes blinking away tears from the initial stretch. he quickly caught wind of this as he halted his movements, arching down as his lips pressed against your cheek.

"s'okay, maus-- know i'm kind of a fit, eh? just tell me when it's okay to move." he cooed to which you quickly nodded, exhaling a sigh you didn't know you were holding. as you signaled for him to start moving, his thrusts were almost borderline calculated, precise-- you didn't seem to be complaining about it from the string of moans you were letting out, anyway. it didn't take long for his thrusts to grow sloppy, a mix of your wetness and the sound of skin slapping together filling the room. the way you keened, your brows knitted so closely together from pleasure, your lips swollen and red from the earlier make-out session-- yeah, this is where könig needed to be; buried deep into your drooling pussy.

the night came to an end as did your time with könig-- hell, you could barely remember falling asleep. you went to sleep with the thought that you'd wake up to an empty bed, trying to conjure ways for it not to be so awkward when you did eventually go to pick up a car. you'd never really had a one-night stand before-- how do you even face someone who was practically balls-deep in you the night before? what you didn't expect when morning came was the soft kisses that rained upon your cheek, waking you out of a well-deserved sleep. your eyes slowly opened, scanning the room and taking in the sight of yourself under the covers. you were… clean? no traces of stickiness between your legs, no sweat sticking to your skin. your head turned to the side to be greeted with the sight of könig with bed-head, his hair twisted in every way imaginable. your eyebrows furrowed together out of confusion-- you were fully expecting him to leave. könig caught on quickly to your confusion, his elbow propped up on the mattress as his palm rested on the side of his cheek. he returned your look of confusion as if daring you to say something.

"what? we have to go pick up your car today, don't we?"